Showing posts with label Omar Offendum. Show all posts
Showing posts with label Omar Offendum. Show all posts

Tuesday, October 8, 2019

Ramzi's Salti's PowerPoint Presentation: Music of the Arab Spring (English)

Dr. Ramzi Salti's PowerPoint Presentation about the Music of the Arab Spring (with embedded videos). Artwork by Jordanian artist Tamer Al-Ahmar.

  • Click on arrows at bottom left of each image to move forward/backward.
  • Click on icon on the bottom to enlarge/full screen.

 

Wednesday, February 4, 2015

Arabology Podcast Available (Feb 3, 2015)

Arabology 9.4 aired on Feb 3, 2015 and spotlighted gorgeous alternative music from Syria by Hello Psychaleppo!, Kulna Sawa, Omar Offendum, LaTalteh, Gene, Zein Al-Jundi, Joussour, Rasha Rizk, Ibrahim Souleimany, Itar Shameh, Mayada Bselis, Lena Chamamyan, Malek Jandali, Dima Orsho, Twais and Omar Souleyman.

The show also featured interviews with groundbreaking Directors whose films center on Syrian refugees at the Zaatari Camp in Jordan: Faisal Attrache ("Growing Home") and Zaid Baqaeen ("Hotel Zaatari").

Listen below or at https://soundcloud.com/arabology/arabology94



Saturday, December 21, 2013

Top 30 alternative/indie Arabic Songs of 2013 Featured on Dec 20 'Arabology' Podcast

This year-end episode of 'Arabology' (aired Dec 20) showcases and discusses the Top 30 alternative/indie Arabic songs of 2013 along with exclusive shout-outs by some of the artists whose music is featured, including Tania Kassis, Tania Saleh, Hamed Sinno [Mashrou' Leila], Yassir Chadly, Yasmine Hamdan, May Nasr, Eliyahu Sills, Rania Kurdi, DAM, Mike Massy, and Omar Offendum.

You can listen to the podcast by clicking on the arrow below or at https://soundcloud.com/arabology/arabology-s6-epsiode-11



Top 30 Songs 2013 for Arabology 20 Dec 2013 DJ: Ramzi S.
(Artist/Track/Album/Label)

1.  Massar Egbari/ Iqra2 El Khabar/ Iqra2 El Khabar/ Massar Egbari
2.  Akher Zephir/ Akherto Lahn Hazin/ Counter Culture/ Eka3
3.  Mashrou' Leila/ Abdo/ Raasuk/ Mashrou' Leila Preceded by message from Hamed Sinno
4.  Sadat & Alaa Fifty Cent/ Five Pound Credit/ Generation Bass/ Six Degrees Records 
5.  Hello, Psychaleppo!/ Tobayabooya/ Gool L'Ah/ Samer Saem Eldahr
6.  Abdulrahman Mohammad/ Asabaki 3ishq/ Abdulrahman Mohammed
7.  Omeima El Khalil,/ Shab Y Sabiyeh/ Ya/ Forward Music 
8.  Ensemble Ibn Arabi/ Her Words Bring Me to Life Again/Arabo-Andalusian Sufi Songs/ Long Distance France
9.  DAM/ If I Could Go Back In Time/ Debke On The Moon/ DAM Preceded by message from DAM
10. Stormtrap/ Taht El Agal/ Stormtrap/Stormtrap Asfeh
11. Elepheel+Edd Abbas+Lipos/ Master Cosmic Spy/ Tripnol/ Edd Abbas/Lipos/Elepheel
12. Jadal/ Fe Nabd Ana Has/ El Makina/ Mahmoud Radaideh
13. Rania Kurdi/ Ana Ana/ Sasha Abi Najmeh/ Rania Kurdi Preceded by message from Rania Kurdi
14. Michelle & Noel Keserwany/ Jagal El USEK/ Jagal El USEK/ Keserwany
15. Tania Kassis/ Ounchoudat Bayrout/ Oriental Colors/ Magnum Records Preceded by message from Tania Kassis
16. Zeid Hamdan/ Asfeh (Acoustic)/ Single/ Lebanese Undergroud
17. Mike Massy/ Ya 3achikat Al Ward/ Ya Zaman/  Falak Productions Preceded by message from Mike Massy
18. Jowan Safadi & Haya Zaatry/ Ji2tu ila Ahli/ Ghanni 3n Al-Taareef/ Ghanni.net
19. Ziyad Sahhab/ Kaza Kitab/ Keep On Singing/ Forward Music
20. Tania Saleh/ Hashishet Albi (Live)/ Live At Drm/ Forward Music Preceded by message from Tania Saleh
21. Labess/ El Kass Yadour/ Identite/ Needlepoint Records
22. Khaled/ Laila/ C'est La Vie/ Universal Music France
23. Rachid Taha/ Now Or Never/ Zoom/ Naive
24. Omar Offendum/ The Arab Speaks of Rivers & Finjan/ Syrianamericana/ Cosher Ink Preceded by message from Omar Offendum
25. Yassir Chadly/ Bil Mustapha/ Asheeq Zeen/ Yassir Chadly Preceded by message from Yassir Chadly
26. Khaled Aljaramani/ Farah/ Athar/ Institut Du Monde Arabe & Harmonia Mundi
27. Mohamed Abozekry and  Heejaz/ Sur La Route/ Chaos/ Neonovo
28. Eliyahu & The Qadim Ensemble/ Maghrebi/ Eastern Wind/ Self Release Preceded by message from Eliyahu Sills
29. May Nasr/ Ouhibuka (Lyrics by Ghada Samman)/ Single/ May Nasr Preceded by message from May Nasr
30. Yasmine Hamdan/ Nediya/ Ya Nass/ Crammed Discs Preceded by message from Yasmine Hamdan

'Arabology' is a weekly radio program, currently in its sixth season, which airs on KZSU 90.1 FM (San Francisco bay area).  It is hosted by Dr. Ramzi Salti, Lecturer at Stanford University, who showcases and discusses (mostly alternative) Arabic music, along with interviews + commentary in English. Previous Podcasts at https://soundcloud.com/arabology/sets


Sunday, May 19, 2013

Dr. Ramzi Salti: Stanford Lecture on Arabic Music (including video excerpts)



Dr. Ramzi Salti, Lecturer at Stanford University and Radio Host of 'Arabology' on KZSU 90.1 FM, began a weeklong series of talks titled "Ya'ani: Week of Music, Culture, and Languages of the Middle East" at Stanford on May 13, 2013 with a lecture titled '"Breaking with Tradition: An Examination of Alternative Arabic Music and Video Clips." The talk attempted to briefly showcase groundbreaking musicians and artists in Arabic music from the 1960's to the present, including (but not limited to) music that has fueled the Arab Spring.

Here are some segments from the talk/dinner which took place at the Bechtel International Center on the Stanford University campus on May 13, 2013 from 6-7:30 pm.

Highlights from Talk (watch below or at https://youtu.be/RjpG8vE4XCQ).



Here are some pics from the event:







Tuesday, May 7, 2013

May 13: 'Improvising the Hip-Hop Muslim International' at Stanford



Free Your Mind! IMPROVISING THE HIP-HOP MUSLIM INTERNATIONAL


DATE/TIME: MAY 13, 4:15PM – 5:45PM
LOCATION: CEMEX AUDITORIUM, ZAMBRANO HALL 641 KNIGHT WAY, STANFORD, CA 94305

Omar Offendum is a Syrian-American Hip-Hop artist – born in Saudi Arabia, raised in Washington DC and living in Los Angeles.

Sohail Daulatzai is an Associate Professor of both Film and Media Studies and African American Studies at the University of California, Irvine. 

In the 21st century, we all improvise identity and race. In this so-called “post-identity” era, improvisation is a metaphor for both how we construct our selves and the mode through which we create our selves. Throughout this 10-week course, we will explore how artists improvise identity through jazz music, modern dance, drag performance, contemporary art, race comedy, food, hip-hop theory, and freestyl

FREE and Open to the Public

For more info see http://arts.stanford.edu/event/free-your-mind-improvising-the-hip-hop-muslim-international/

Co-Sponsored By: African & African American Studies, American Studies, Anthropology, Asian American Student Association, The Cantor Arts Center, Center For African Studies, Undergraduate program in CSRE, Center for Comparative Studies in Race and Ethnicity (CCSRE), Chicana/o-Latina/o Studies, Institute on the Politics of Inequality, Race and Ethnicity at Stanford (InsPIRES), Jewish Studies, Music, Office Of The Provost, Religious Studies, Senior Associate Dean for the Humanities & Arts, Stanford Arts Institute, Stanford Humanities Center, Vice Provost for Student Affairs, and the Vice Provost for Undergraduate EducationFor more information visit diversityarts.stanford.edu

Friday, April 19, 2013

April 18 'Arabology' Podcast ft interviews w/ Ashley Lohmann, DAM, Omar Offendum


The April 18 'Arabology' Podcast features interview with Ashley Lohmann (creator of Beyond the Bombs site). Also includes my interviews with Palestinian band DAM and Omar Offendum--recorded at the 'Globalization of Hip Hop' event which I moderated at Stanford on April 6.  Plus intro by Farah Weheba and alternative music from the region.

LISTEN BELOW or at https://soundcloud.com/arabology/arabology-s5-episode-2



Saturday, April 13, 2013

5th Season 'Arabology' Debut Incl Interv w/ Omar Offendum and More



The April 11, 2013 Arabology Podcast (Season 5 Episode 1) features an interview with Syrian American Hip Hop artist Omar Offendum (who performed along with the group DAM at Stanford on April 13, 2013). Show also showcases 'alternative' music by Joussour, Michel Sajrawy, Gene Band, Saffron, Mashrou' Leila, Egyptian Project, JIMH, Elizabeth Ayoub, SAM, Zeid and the Wings, Mike Massy, and the Bay Area Music Ensemble Aswat.


DJ Ramzi (left) with Omar Offendum at Stanford April 2013


Saturday, May 7, 2011

Brooklyn Beats to Beirut Streets Artist Workshop at Stanford ft. Omar Offendum, Nizar Wattad, Mark Gonzales



 Omar Offendum, Nizar Wattad, Mark Gonzales at the Coho, Stanford

The CoHo at Stanford University was full of students on April 29, 2011 who came to watch the "Brooklyn Beats to Beirut Streets" Artist Workshop featuring Omar Offendum, Nizar Wattad, Mark Gonzales (The Human Writes Project).

The performance, which featured all three speakers reflecting and rapping about their lives, their identity quest(s), politics, East-West relations, and much more, was applauded by the audience who later engaged the 3 artists in an extensive Q & A session.

The event was organized as part of the "Global Flows--Globalization of Hip hop Art, Culture, and Politics" series of events/course offered at Stanford by Professor H. Samy Alim.

Below are some exclusive pictures and FOUR short video clips from the event.





VIDEO CLIPS FROM EVENT:

Stanford Professor H. Samy Alim's Opening Remarks

Mark Gonzales, Omar Offendum, Nizar Wattad

Omar Offendum Quotes Al-Mtanabbi

Omar Offendum Arabic Rap


Wednesday, May 4, 2011

Omar Offendum Visits Stanford Arabic Class, Inspires, Amazes

Omar Offendum with Arabic Language students at Stanford University

On April 29, 2011 Syrian-American Hip Hop artist Omar Offendum, whose album SyrianamericanA has been receiving rave reviews, recently agreed to stop by an Arabic Language classroom at Stanford University where he was scheduled to perform, later that day, as part of the Human Writes Project Artist Workshop titled "Brooklyn Beats to Beirut Streets" (see next blog entry for more on that amazing performance).

During his classroom visit, Offendum spoke to the students about his life, inspirations and aspirations.  He also recited  poetry to the students--in Arabic and in English--and responded to questions by students who were clearly moved by his poetic talent and insprational presence.

During this visit, Omar Offendum also sat down for an exclusive interview with me which I recorded and will air as part of my upcoming radio program, "Hi Keefak Ça Va" on KZSU 90.1 FM (Stanford) this Thursday May 5 between 4-6 PM (PST).  You can stream/listen to the live broadcast at http://kzsulive.stanford.edu

Here are some pictures followed by short video clips from Omar Offendum's visit to the Intermediate Arabic class at Stanford.  Check out the videos below the pictures below.






Here are some short video clips from Omar Offendum's Stanford classroom visit including (1) A clip in which he speaks about his life so far (2) A poem in English titled "Rivers" and (3) a short segment from an Arabic/English poem that he recited/rapped in rhyming couplets, much to the delight of students who gave him a standing ovation.








Monday, May 2, 2011

My Latest Podcast (April 28) Spotlights new albums by Tania Saleh, Omar Offendum, More

MY LATEST PODCAST (Hi Keefak Ca Va; Episode 6) is available for free downloading at

http://www.radio4all.net/index.php/program/51391

THIS WEEK (April 28): We spotlight two amazing new albums: Tania Saleh's 'Wehde' and OMAR OFFENDUM's 'SyrianamericanA' plus much more.

To listen/download, go to link ABOVE then click on the arrows on bottom right of that page (2 Parts).

If link above does not work, click below to listen:

PART 1: http://tinyurl.com/3lg2uwz

PART 2: http://tinyurl.com/42lz2et


PLAYLIST FOR EPISODE 6

Hi, Keefak, Ça Va? DJ: Ramzi S. Thurs, 28 April 2011 1600 - 18:00

PART 1:
1. Tania Saleh/ Wehde (Unity)/ Wehde/ Forward Music
2. Omar Offendum/ The Arab Speaks of Rivers/ SyrianamericanA/ Cosher Ink, LLC
3. Issa Ghandour/ Salma Ya Salma/ Darwish/ Forward Music
4. Dalida/ Salma Ya Salma/ Paroles d'ailleurs/ Orlando
5. Yazan Al-Rousan And Autostrad/ Safir/ Autostrad/ Planet Records
6. Omar Offendum/ Finjan/ SyrianamericanA/ Cosher Ink, LCC
7. Tania Saleh/ Omar & Ali/ Wehde/ Forward Music
8. Amina/ Dis Moi Pourquoi/ Desert Roses & Arabian/ Mondo Melodia

PART 2:
9. Tania Saleh/ Tmanta'sh Moulaya/ Wehde/ Forward Music
10. Omar Faqir/ Ramallah/ Jeeran/ Jeeran
11. Toufic Farroukh/ Only Lonely/ Tootya/ O + Music
12. Olivia Ruiz/ Les crepes aux champignons/ Miss Meteores/ Polydor
13. Omar Offendum/ Mother's Day/ SyrianamericanA/ Cosher Ink, LLC
14. Chiraz/ Abdo Habeb Ghandoura/ Lebanese Songs from the 50's/ Musical Ark
15. Spanish Group/ Abdo Habib Ghandoura/ Unreleased/ Unreleased
16. Pangia/ Abdo Loves Ghandoura/ Pangia/ Pangia
17. Cheba Djenet/ Chta Sralek/ Jalouse/ Sunhouse Records
18. Mashrou' Leila/ Fasateen (Live Version)/ Leka@Eka3/ Eka3
19. Oriental Mood/ Muktalef (Mukhtalef/Different)/ Muktalef/ Gatorbone Records
20. Tania Saleh/ Ayya Shi (Version I)/ Wehde/ Forward Music


Monday, March 7, 2011

Omar Offendum Records Hip Hop Version of "Qari'at Al-Fingan" قارئة الفنجان

Syrian-American rapper Omar Offendum has recorded his own Hip Hop version of the classic song "Qari'at Al-Fingan" [The Coffee Cup Fortune Teller] by Abdul Halim Hafez عبد الحليم حافظ.  The song was originally recorded by Hafez in the 60's to a famous poem by Nizar Qabbani by the same title in which a female fortune teller sits with a young man and reads his freshly consumed coffee cup--revealing the most intimate details about his life, past and present.

Omar Offensdum keeps/recites the lyrics in Arabic at the beginning of his version but soon moves into an amazingly lyrical English translation of the poem with a great beat.  The song can be found on Omar Offendum's brand new album "Syrianamericana."

Here is the original song as performed in concert by Abdel Halim Hafez on TV, followed by Omar Offedum's song "Fingan"

I am also including the verses to the Qabbani poem in Arabic and Omar Offendum's amazing lyrics so you can follow along (after the 2 video clips) as well as an exclusive interview with Omar Offendum which I have taken from Jackson Aller's blog Beats and Breath (January 2010).
The English translation of the poem below was taken from http://www.tumblr.com/tagged/nizar+qabbani









قارئة الفنجان

لنزار قباني 


جلست .. والخوف بعينيها

تتأمل فنجاني المقلوب

قالت : يا ولدي لا تحزن

فالحب عليك هوا المكتوب

يا ولدي .. قد مات شهيداً

من مات على دين المحبوب

فنجانك .. دنيا مرعبه

وحياتك أسفار وحروب

ستحب كثيرا وكثيرا


وتموت كثيرا وكثيرا

وستعشق كل نساء الأرض

وترجع كالملك المغلوب


بحياتك .. يا ولدي .. امرأة

عيناها .. سبحان المعبود

فمها .. مرسوم كالعنقود

ضحكتها .. موسيقي وورود


لكن سماءك ممطرة

وطريقك 

مسدود 

مسدود


فحبيبه قلبك .. ياولدي

نائمة في قصر مرصود


والقصر كبير يا ولدي

وكلاب تحرسه وجنود

وأميرة قلبك نائمة


من يدخل حجرتها مفقود

من يدنو 

من سور حديقتها

مفقود

من حاول فك ضفائرها !!

يا ولدي

مفقود

مفقود

مفقود


بصرت

ونجمت كثيراً

لكني .. لم اقرأ أبدا


فنجانا يشبه فنجانك


لم اعرف أبداً يا ولدي

أحزاناً

تشبه أحزانك

مقدورك أن تمشي أبدا

في الحب .. على حد الخنجر

وتظل وحيداً كالأصداف

وتظل حزيناً كالصفصاف


مقدورك أن تمضي ابداً

في بحر الحب بغير قلوع

وتحب ملايين المرات

وترجع كالملك المخلوع






FINJAN | Lyrics:

Arabic verse (literal translation of Nizar's first couplets):

she sat with fear in both of her eyes
pondering the inverted coffee-cup
saying - my son...don't grieve
Love for you is written

OFFENDUM:

she sat with fear in both her eyes
ponderin this turkish coffee cup inverted
carefully she worded
destiny & time
now dont you grieve my son
for love is written for you in the signs
martyrdom for he who dies religiously
but love is blind
your coffee-cup is terrifyin
a life of travellin & battlin
a lot of love...a lot of death
a load of pain unravels
as your chasin after every woman on the planet only
to return like a defeated king - lascivious & lonely


Chorus >>

"LOVE IS FREE"

if love is free ...
why'd a fortuneteller charge me a fee just to say that?

"FREE IS THE LOVE"

im free to love ...
but nobody's willing to reciprocate - i guess its payback ...


Now in your future is a girl whose eyes alone can make you praise the lord lips shaped like grapes - beautiful - her laugh is musical
and still the sky above's a gloomy grey that rains & pours
road blocked...dead locked...immutable...a sight unusual
the woman of your dreams sleepin in a palace tower
guarded by both dogs & soldiers - likes of which will make you cower and the princess of your heart
in a slumber from the start
suitors lost - climbin fences to uproot her...
who'd've thought?

now i've read many palms & horoscopes before but I have never seen
a coffee-cup resemblin your coffee-cup...i've never seen
sorrows like the sorrows emanating from this demitasse
your destiny's to walk on dagger tips of love so many times...
the solitude of seashells & the weepin willowy wails...
leave you stuck in currents of an oceanic love for females...
the details you'll love & lose a million times only
to return like a dethrone'd king - lascivious & lonely


Chorus >>

"LOVE IS FREE"

if love is free ...
why'd a fortuneteller charge me a fee just to say that?

"FREE IS THE LOVE"

im free to love ...
but nobody's willing to reciprocate - i guess its payback ...

(3rd verse is my own writings, not translation)

i read between the lines like fortune-tellers with a coffee cup
and i aint talkin bout them frapuccinos with that frothy stuff
our peoples are of equal standing in the eyes of GOD we trust
but we're the ones who shoulder blame when errorism's army busts
im sick of askin why - wanna kick up ash n fly
when a man is rich whether in gold or knowledge he should try
to treat the poverty of other brothers with consideration
knowin that the highest form of flattery is imitation
its another iteration - of the same bitter-taste with the same limitations faint recollections of her face interlaced in
the bars of a jail where there aint visitation
man i hate bein patient
rather be the doctor
diagnose a higher dose of mea culpa - not ya
general hospital scrub in soap or opera
a local wasta connect-the-dot
hopeful
qaari'at il-finjan


Chorus >>

"LOVE IS FREE"

if love is free ...
why'd a fortuneteller charge me a fee just to say that?

"FREE IS THE LOVE"

im free to love ...
but nobody's willing to reciprocate - i guess its payback ...


Arabic verse (literal translation of Nizar's last couplets):

your fate is to remain forever
in the ocean of love with no rescue
and to love a million times
and return like the dethroned/deposed king


**********

Many thanks to Omar Offendum for writing/supplying these amazing lyrics in English.

**********




The Fortune Teller by Nizar Qabbani
Original Source of this Translation:http://www.tumblr.com/tagged/nizar+qabbani
She sat with fear in both her eyes
Pondering the Turkish coffee, inverted carefully
She worded “Do not grieve my son
You are destined to fall in love”
My son, Who sacrifices himself for his beloved,
Is a martyr

I have long practiced fortune-telling
But never have I read a cup similar to yours
I have long practiced fortune-telling
But never have I seen sorrows similar to yours
You are predestined to sail forever
Sail-less, on the sea of love
Your life is forever destined
To be a book of tears
And be imprisoned
Between water and fire

But despite all its pains,
Despite the sadness
That is with us day and night
Despite the wind
The rainy weather
And the cyclone
It is love, my son
That will be forever the best of fates.

There is a woman in your life, my son
Her eyes are so beautiful
Glory to God
Her mouth and her laughter
Are full of roses and melodies
And her gypsy and crazy love of life
Travels the world
The woman you love
May be your whole world
But your sky will be rain-filled
Your road blocked, blocked, my son
Your beloved, my son, is sleeping
In a guarded palace
He who approaches her garden wall
Who enters her room
And who proposes to her
Or tries to unite her plaits
Will cause her to be lost, my son…lost.

You will seek her everywhere, my son
You will ask the waves of the sea about her
You will ask the shores of the seas
You will travel the oceans
And your tears will flow like a river
And at the close of your life
You will find that since your beloved
Has no land, no home, no address
You have been pursuing only a trace of smoke
How difficult it is, my son
To love a woman
Who has neither land, nor home

Expanding the Dialog: Omar Offendum’s debut album ‘SyrianamericanA’ 

http://jacksonallers.wordpress.com/2010/01/22/expanding-the-dialog-omar-offendums-debut-album-syrianamericana-due-out-in-march/

Syrian-American rap super hero? Homeboy from a street called Straight? Omar Offendum sat down with me recently to hash out what his new album gonna be like. Much love to this brother for what is an expanded rap attack at a time when we need a properly politicized voice straddling these two worlds of oriental and occidental. (Note: versions of this article appeared for both NOW Lebanon and UMen Magazine)

Music Video Stills from Omar Offendum’s song “Destiny” – shot by Laith Majali ©


BEIRUT – At a club date in Beirut early January 2008, when Omar Chakaki, aka Omar Offendum of the hip-hop crew The N.O.M.A.D.S, was walking out of a Monot street basement covered in sweat from a 3 hour rap extravaganza, a kid who was walking out with him at the time turned to his friends and within earshot of Offendum said, “His rhymes was tight,” to which he meant that Offendum’s delivery was crisp and put together.

And it’s true. Offendum is an Arab rapper who always seems put together. Clean shaven, perhaps a wee soul patch on his chin. Always a nice rim (baseball hat) on his head when performing – sometimes blue and green Zoo York plaids, sometimes a black cap with an LA on the front (for the LA Dodgers), but always a hat with a crisp front brim that is never folded at the sides. He looks put together because he is.

Based in Los Angeles, Offendum works as an architect, and there’s no doubt he leads a double life – professional by day, Arab rap super hero by night. But he has made peace with that duality, and along with other rappers in the Arab Diaspora like Iraqi-born MC The Narcicyst, Lebanese-Syrian MC Eslam Jawaad, and Palestinian-American MC, Ragtop of the group The Philistines, he is part of an Arab Rap Pack that is gaining a solid fan base – in America, the UK and now in the Arab world.


© Laith Majali

“You know 60 percent of the population in the Middle East is under the age of 30. And hip-hop is quickly taking shape and taking root here. Especially in cities like Beirut and Damascus,” Offendum told UMen.

Over the last two years, Offendum has toured the Middle East regularly. Beirut, Damascus, Amman, Dubai. And while he’s a Syrian-American with deep ties to his family’s home in Damascus, he admits he has a gravitational pull for his “favourite urban center” in the Arab world – Beirut City, Lebanon.

This March is the scheduled release of his first full-length solo album – SyrianamericnA –an anxiously anticipated project for Arab hip-hop heads and for conscious rap fans who have been blessed to hear his revolutionary metaphors.

With inspiration from poet Nizar Qabbani, Offendum’s new album explores issues of love, war and identity, and includes long verses in Arabic that he says are meant to “open up his Arab audience base.”

BEATS AND BREATH caught up with Offendum during his January tour of the hip-hop lecture series called, “Brooklyn Streets to Beirut Beats,” that features a three-man lyrical wonder-crew, The Human Writes Project, with Ragtop, and the Mexican-American HBO Def Jam poet, Mark Gonzalez.

BEATS AND BREATH (B&B): Tell us about – SyrianamericanA. The title conjures up notions of Pax Syriana. Does the name come from your dual nationality as an MC – what does it mean?

OMAR: Yes. There’s no doubt that I straddle two worlds in my life. I’m Syrian-American and when I’m in the States, I’m defending Syrian points of view, Arab points of view, Middle-Eastern points of view to people that don’t necessarily feel the same way as I do.

When I’m here, in the Arab world, I’m defending American points of view to people that don’t normally think or know things about America in the ways that I do.

So SyrianamericanA, it’s part Syriana, which is a very loosely defined term – a think-tank term that people kind of use in the West to describe the divvying up of nations; the divide and conquer strategy in the Middle-East to divide up the oil and resource interests here.

And then there’s Americana. It’s diners. It’s milk shakes. It’s all that you know…white culture. But it’s this blend of all of these different things that make the American experience too. It’s the music. It’s black culture, its Native-American, Mexican, white, and Asian cultures…all that mixed in.

In the end, what it all means to me is that SyrianamericanA is, ‘A nation-state of mind. Where everything is connected.’ Which is a tag line of the George Clooney movie Syriana, and ‘Everyone is welcome.’ Which is just ultimately how Arab hospitality makes you feel!


© Laith Majali

B&B: Turning to the songs on your album – even with so many great themed hip-hop albums preceding you – no one has really told the narrative of being Arab-American? Go through some of the songs for us.

OMAR: It’s true that there have been so many concept albums in hip-hop history, and that it’s happening less and less. So I knew this had to be a concept album.

About the songs. One of the first things I decided to do when I started this album is to look back at what my influences were. I decided to go back and look at Nizar Qabbani’s poetry. Not really thinking that I would straight translate the stuff. But I got some beats from Habillis and Sandhill from the Iraqi-Canadian crew Euphrates in Montreal. And these beats really inspired me. There was more Arabic sampling. I mean, Habillis was making really complete songs. This brother really, really makes music and he samples the most incredible parts of songs and puts them together – and so you have to come correct with your lyrics when you record!

To make it more a part of the hip-hop experience I thought to do a translation of Nizar Qabbani’s The Damascene Poem. And Habillis actually he put in as one of the samples some great singing from Armando Manzanero. He’s an old-school Mexican crooner – an indigenous singer. Beautiful song about a blind man that doesn’t get to experience things like the birds and the trees, and that is how he feels for his lover, who he doesn’t get to see. So I took that and flipped it to be an explanation about my experience with Damascus. Because I really didn’t get to live there and see it. But that’s my home in my head. That’s my mom. That’s the stories I grew up with.

And that poem…well I admit that we have a family connection to Nizar Qabbani family. My mom’s great friends with his sister and his brother. And Nizar’s brother has taken a sort of grandfatherly role with me and he lives in Washington DC.

When Nizzar passed in 1998, I actually read the Damascene poem at a memorial service for him at Georgetown University while I was in high school. So that poem took me way back. Nizar’s brother ended up getting me a signed book of poetry from Nizar a little before he passed and he gave them to me like – and in the inscription – Nizar wrote, ‘For your love of poetry and your talents…’ So that kind of stuck in my head for all these years to kind of do this.


© Laith Majali

B&B: So would you say that you’ve become more of a complete MC and that your songs are more a reflection of maturity on this album?

OMAR: Absolutely, and I really tried to make more complete songs on this album. There’s the story of Majnoun Leila – it’s an old Arabic love story. Star-crossed lover kind of thing. Some say it was the inspiration to Romeo and Juliet. I thought, again, it was a universal story that had to be done with a hip-hop sensibility.

I also translated Qareat Al Fingan – The Coffeecup Fortuneteller – which was a poem sung by Abdel Halim Hafez. It was another beautiful story. It’s about love – when a woman fortuneteller tells the poet that he’s going to love a lot of women in his life, but ultimately will remain lonely. So this song in the album is with this in mind.

Another story on my album is called The Street called Straight – it’s about different people I met in my life and during my time in Damascus. They say that Damascus is the longest continuously inhabited city on Earth. And the street called Straight in Damascus might very well be the longest continuously used street. They talk about it in the Bible. It’s where Saint Paul got his sight back.

So I made up this little tale about these three individuals I met on the street. I try to relate it back to the folks about the street in a hip-hop sense. Because hip-hop is urban – city – in the streets. So I’m just talking about the oldest one, a street called Straight.

‘Met a spiritual teacher, predecessor to the pusher man.’ The medicine man is the predecessor to the pusher man. The last fellow I meet in this song is a carpenter – ‘predecessor to the architect.’ Biblical references. They all tell me in the end to ‘follow the middle path on a street called straight.’ And following the middle path is a philosophy inherent in a lot of different world religions and life teachings. So I played with that idea.

B&B: Do you think SyrianamericanA is an album that most identifies you with the rising Arabic hip-hop movement?

OMAR: Most definitely. For the first time since I started recording, I have songs with full Arabic verses on this album. I did that in an attempt to get more into the Arab Diaspora. Getting more people from here relating to things. But at the same time – not only because those same songs have English verses on them. So for the English speaker, I can hopefully demystify the Arab language and not make it seem like their movie stereotypes of a language where people are just yelling at each other on news clips but it’s this beautiful thing.

B&B: How do you want to release the album?

OMAR: That’s all stuff that is in discussion. I fiddled with the idea of just doing a music download. And you know, do it digitally at first. Because that’s the way everybody is doing it these days. You’re gonna sell some CDs, sure. Ultimately I just want my shit to get out there, and I have no problem in the end with people just ripping a copy of the album of some site – it’s cool ‘cause that’s hip-hop to me. Like doing it bootleg out the back of your car trunk, and establishing yourself guerrilla-like first.

I have a 9 to 5 job in an architecture firm. So I can eat, and I’m not stressin’ like that.

B&B: But let’s be clear, that you can be picky about how you grow as an artist because you can support yourself outside of the industry?

OMAR: Alhumdulillah. I’m fortunate to be able to do this. But I’d love to be able to someday make a living just doing hip-hop. It’s gonna take time. Ten years and it’s gonna take more time. Can’t stop. Won’t stop.

END


© Laith Majali

Below is the description on Laith Majali’s blog which I think is rather dope and shows the genesis of some shit that’s gonna rock the house when it’s released! Big ups to Laith! Here’s the write up:


While I was in L.A this summer, I wanted to test out the High Definition video capabilities of the Canon 5D mark II, so I offered to shoot and direct a music video for Omar Offendum’s “Destiny” off his upcoming album “SyrianamericanA.” What started out as a test is now developing to an international shoot with locations in Los Angeles (already shot) and Beirut (to be shot in October.)

I was really impressed with the quality of the files i was getting from the camera, so here are a couple of still frames pulled from the HD video, it’s great to know that wherever I am in the world i can shoot high quality video.

The video will be released through Immortal Entertainment, a multi-faceted entertainment company I recently fromed in Amman. (More about the company in a seperate post.)

A bit about Omar as put by our brother from another mother Narcy:

“Omar Offendum is a Syrian-American MC/Architect hailing from the Sham, Los Angeles and/or DC. He is currently working on his first solo LP called ‘Syriana-Americana’ and is a founding member of the N.O.M.A.D.S. (Notoriously Offensive Male Arabs Discussing Shit) with fellow marksmen, Mr. Tibbs. Ladies know him as “Syrias Finest” but us homies just call him “Ladies Love Cool O”

For original blog entry/interview by Jackson Allers, see his blog Beats and Breath.

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