tag:blogger.com,1999:blog-69057588238961023972024-03-16T18:49:33.068-07:00Ramzi Salti's ArabologyA blog by Stanford Lecturer Dr. Ramzi Salti spotlighting his Arabology radio show/podcast + cultural productions from the Arab world.Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.comBlogger765125tag:blogger.com,1999:blog-6905758823896102397.post-51562343222808638562024-03-09T17:25:00.000-08:002024-03-09T17:25:59.936-08:00Jordanian Artist Sadouf Launches "Urdunia" Project<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi0BfiJhn42PsLtYg3KCDLB_NN1NzLwm0ArkY6IlSVUeschqgJ8QCaxfdNnrXskxd_f1QNSArgAuHU-gCwxyd9I53hF6GkCyDUulZleNxTq_xJ2farbcTKS46EHPz28wGttpvWv_b_issjR-5ioTBLbmjK4sZUqEPFrjCsyO-ewCdkVkjZaWJAnO9T_U8U" style="margin-left: auto; margin-right: auto;"><img alt="" data-original-height="320" data-original-width="320" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEi0BfiJhn42PsLtYg3KCDLB_NN1NzLwm0ArkY6IlSVUeschqgJ8QCaxfdNnrXskxd_f1QNSArgAuHU-gCwxyd9I53hF6GkCyDUulZleNxTq_xJ2farbcTKS46EHPz28wGttpvWv_b_issjR-5ioTBLbmjK4sZUqEPFrjCsyO-ewCdkVkjZaWJAnO9T_U8U=w400-h400" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Jordanian artist Sadouf, founder of Urdunia project</i></td></tr></tbody></table><br /><i><br /></i><div><i>Urdunia</i> is an ambitious project initiated by the artist <a href="https://www.arabology.org/2016/08/jordanian-artist-sadouf-interviewed-on.html" target="_blank">Sadouf</a>, with a primary focus on Jordanian traditional dresses representing various regions across Jordan. The project showcases over 40 distinct types of traditional dresses, each adorned with intricate stitch designs unique to its origin.<br /><br />Urduniyya aims to preserve and promote Jordanian heritage by meticulously documenting and presenting these traditional garments. By highlighting the diversity and craftsmanship of Jordanian traditional dresses, the project seeks to enhance cultural appreciation and awareness both domestically and internationally.<br /><br />One of the key objectives of Urduniyya is to leverage its cultural significance to boost tourism in Jordan. By offering insights into the rich tapestry of Jordanian culture through its traditional dresses, the project provides tourists with a deeper understanding and appreciation of the country's heritage.<br /><br />Through various mediums such as exhibitions, publications, and digital platforms, Urduniyya endeavors to disseminate Jordanian heritage worldwide. By sharing the stories behind each dress and the communities they represent, the project aims to foster cross-cultural understanding and appreciation.<br /><br />Overall, Urduniyya serves as a vital initiative in preserving Jordanian cultural identity and promoting cultural tourism, while also contributing to the global appreciation of traditional craftsmanship and heritage.</div><div><br /></div><div><ul style="text-align: left;"><li>Click <a href="https://www.facebook.com/urdunia.2023" target="_blank">here</a> to check out Urdunia on Facebook.</li><li>Click <a href="https://www.instagram.com/urdunia.jo" target="_blank">here</a> to check out Urdunia on Instagram</li></ul></div><div><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-48341392264346769912024-03-05T23:45:00.000-08:002024-03-09T15:10:11.556-08:00Ramzi Salti Lectures on "Women's Voices in Arabic Music" for WHM at Santa Rosa Junior College<div style="text-align: left;">Stanford Lecturer and radio host Dr. Ramzi Salti gave a well attended talk at Santa Rosa Junior College on March 7, 2024 in which he highlighted the wide array of musical productions by female singers who have emerged from the Arab world since the advent of the Arab Spring. The talk was part of a series of talks at SRJC in celebration of Women's History Month.</div><div style="text-align: left;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPS9rXhDMMqOCPY8fsq0Xl5fS_qEz_gBq1lFIR_R9jkWzyeP1dtoq0yVZbKP_eZYXZVuoee8NDM-KmtkeGJ_KsdCLmPcnyhK8a7Alzzu9yFYwXFnPFvd72Otsd26lWCi84R0M-yoyBlEs3VDCEf6qTDhcCMr1eq7xTRHu35sf8WP6HSfPwjozISJnI1is/s1969/WHM%20Indie%20Music%20poster%20fixed2%20_page-0001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1969" data-original-width="1650" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPS9rXhDMMqOCPY8fsq0Xl5fS_qEz_gBq1lFIR_R9jkWzyeP1dtoq0yVZbKP_eZYXZVuoee8NDM-KmtkeGJ_KsdCLmPcnyhK8a7Alzzu9yFYwXFnPFvd72Otsd26lWCi84R0M-yoyBlEs3VDCEf6qTDhcCMr1eq7xTRHu35sf8WP6HSfPwjozISJnI1is/w536-h640/WHM%20Indie%20Music%20poster%20fixed2%20_page-0001.jpg" width="536" /></a></div><div style="text-align: center;"><br /></div>"Celebrating Women Who Tell Our Stories," highlights the significance of Santa Rosa Junior College in Sonoma County as a beacon for Women's History Month celebrations. Rooted in the legacy of advocating for women's rights since 1978, this region has been at the forefront of national recognition for this movement. Join us in honoring the remarkable journey of women across generations, celebrating their achievements, and reflecting on the progress we've made. <div><br /></div><div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR0tHzqKm7B7yudCXX6S2jCOKVaD0l9YvLPitBROAa0DbY25MugIDVjUVwFl8cWL8ZmqFPtzilz-YLfu1lv9Qlr6MA0egwhdTTmsWqEcbsKzk253aphvkgZf9zyKvILAGD9qAAqEqq8immUD9kh7J3Gj75FJPPv_u1PwhQLuZCTyHtkYEI4yJh1UkKyq8/s1915/Recently%20Updated3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1915" data-original-width="1558" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR0tHzqKm7B7yudCXX6S2jCOKVaD0l9YvLPitBROAa0DbY25MugIDVjUVwFl8cWL8ZmqFPtzilz-YLfu1lv9Qlr6MA0egwhdTTmsWqEcbsKzk253aphvkgZf9zyKvILAGD9qAAqEqq8immUD9kh7J3Gj75FJPPv_u1PwhQLuZCTyHtkYEI4yJh1UkKyq8/w325-h400/Recently%20Updated3.jpg" width="325" /></a></div><br />This talk will attempt to highlight songs of freedom, courage and resilience by Arab women through the decades–from legends Umm Kulthum and Fairuz down to a whole new generation of singers including Yasmine Hamdan, Tania Kassis, Tania Saleh (Lebanon) Hana Malhas (Jordan) Lina Chamamyan (Syria) Emel Mathlouthi (Tunisia) Dina El Wedidi (Egypt) Alsarah (Sudan) Souad Massi (Algeria) and Maysa Daw, Elyanna (Palestine).</div><div><br /></div><div><div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjhEfge4wuU6c8qXp4O-95ww7FF1z5kxopcLrt7S9ksouk6q657XmKWCK-ufnvQ6VsqFO3ftjh1J145gCI7nGoSIgFIf_1Vt_E2cFf0TEImtshk2YsR2F-6xBxen_4Teg-xzMuQpnj7vxrHQnoN0cW6CkpGrXQxRhvmaKusmOZCw4JWszDM2YFluaehFY/s3240/AD31401C-62C3-44CF-8470-5B51036A73C3.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3240" data-original-width="2160" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjhEfge4wuU6c8qXp4O-95ww7FF1z5kxopcLrt7S9ksouk6q657XmKWCK-ufnvQ6VsqFO3ftjh1J145gCI7nGoSIgFIf_1Vt_E2cFf0TEImtshk2YsR2F-6xBxen_4Teg-xzMuQpnj7vxrHQnoN0cW6CkpGrXQxRhvmaKusmOZCw4JWszDM2YFluaehFY/w266-h400/AD31401C-62C3-44CF-8470-5B51036A73C3.JPG" width="266" /></a></div><div><div><br /></div>The event is from 3 to 4:30 p.m. at the Girvin Student Activities Center at the SRJC. More info at <a href="https://www.sonomacountygazette.com/sonoma-county-news/celebrate-womens-history-month-this-march-in-sonoma-county/" target="_blank">this link</a>.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvjzKrjAizXXnksqdsUnK_ecOaU9vv22jKtzfxbogEAd5TfbghmCUWwJrCoiXzvIOnw9AdKp9RmjPU3FiXmGzN9VPvPYsSJyaFrru96Ekh7cBmVBxMcUBbdDVNswhJNmKBCBIc9iDkz3fd1oj3ek3yGNbJaWLeGCgQYDerQeSMGvL3w0QD4kveUi4D0hw/s3046/image0.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1714" data-original-width="3046" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvjzKrjAizXXnksqdsUnK_ecOaU9vv22jKtzfxbogEAd5TfbghmCUWwJrCoiXzvIOnw9AdKp9RmjPU3FiXmGzN9VPvPYsSJyaFrru96Ekh7cBmVBxMcUBbdDVNswhJNmKBCBIc9iDkz3fd1oj3ek3yGNbJaWLeGCgQYDerQeSMGvL3w0QD4kveUi4D0hw/w640-h360/image0.jpeg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div></div><br /></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-19273103627599605142024-01-21T01:20:00.000-08:002024-01-21T01:20:07.070-08:00Poetry by Yahia Lababidi نبذة عن الشاعر يحيى لبابيدي <div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdqDQL2tlxeW2bSYmPYhL6pD0YGtVIK-xcCHIaPLRI0ijjz9zVhg-y7pEWBBWbLWmDEVHI3JczpB15J6cPQCBf2NHj4mX_9RLS4PrRU9Wnhq6CU_nCc3ScQd4yjza4OTnlppv9TXufVcqDF40CjOb9SS6AxH5HNwqLHkH3kfiotQBatOdwNxI65OmHU8Y/s511/Yahia-Lababidi(500x375).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="383" data-original-width="511" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdqDQL2tlxeW2bSYmPYhL6pD0YGtVIK-xcCHIaPLRI0ijjz9zVhg-y7pEWBBWbLWmDEVHI3JczpB15J6cPQCBf2NHj4mX_9RLS4PrRU9Wnhq6CU_nCc3ScQd4yjza4OTnlppv9TXufVcqDF40CjOb9SS6AxH5HNwqLHkH3kfiotQBatOdwNxI65OmHU8Y/s320/Yahia-Lababidi(500x375).jpg" width="320" /></a></div><br /> Yahia Lababidi ( يحيى لبابيدي) is the author of eleven books of poetry and prose. Lababidi’s most recent works are a collection of his meditative aphorisms, <i>Quarantine Notes</i> (2023); <i>Desert Songs</i> أغاني الصحراء (2022) ; and <i>Learning to Pray</i> (2021). <div><br /></div><div>For more, please, subscribe to the short literary videos he, regularly, posts on his <a href="https://www.youtube.com/@Yahia.Lababidi">YouTube channel</a>. </div><div><br /></div><div><div>Here are samples from his poetry in English and Arabic:</div><div><br /></div><i><div><i><br /></i></div>Lectio Divina</i><br /><br />Unconsciously, I have practiced<br />for years—a lifetime, really—<br />reading as a mysterious way<br />to meditate and almost pray<br /><br />Slowing down to a stillness<br />to discern the Divine voice<br />I have written verse<br />(or something like it)<br />in a blessed trance…<br /><br />These signposts for living well<br />I have shared, freely, with the world<br />and, more deliberately, with myself.<br /><br /><br /><br /><i>The Light-keepers</i> <br /><br />Hope is a lighthouse<br />(or, at least, a lamppost)<br />someone must keep vigil<br />to illumine this possibility<br /><br />In the dark, a poet will climb<br />narrow, unsteady stairs<br />to gaze past crashing waves<br />and sing us new horizons<br /><br />Others, less far-sighted, might<br />be deceived by the encroaching night<br />mistake the black for lasting, but<br />not those entrusted with trimming wicks<br /><br />Their tasks are more pressing—<br />winding clockworks, replenishing oil-<br />there is no time for despair<br />when tending to the Light<div><div dir="rtl" style="text-align: right;"><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">الكلمات</span></div><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">الكلمات كالأيام:</span></div><div style="text-align: right;"><span style="font-size: medium;">كتبُ تلوينٍ أو نشّالون،</span></div><div style="text-align: right;"><span style="font-size: medium;">علامات إرشادٍ، أو أعمدةُ خَدْشٍ</span></div><div style="text-align: right;"><span style="font-size: medium;">فقراء يتحلقون حول جمار متقدة.</span></div><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">ثمة كلماتٌ معيّنة يجب أن تُكتسب</span></div><div style="text-align: right;"><span style="font-size: medium;">تماماً كما تُعانَى العواطف</span></div><div style="text-align: right;"><span style="font-size: medium;">قبل أن يصبح من الممكن نطقها،</span></div><div style="text-align: right;"><span style="font-size: medium;">نظيفة كوعدٍ محفوظ.</span></div><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">الكلمات شهودٌ</span></div><div style="text-align: right;"><span style="font-size: medium;">يدلون بشهاداتهم</span></div><div style="text-align: right;"><span style="font-size: medium;">الحقيرة أو السامية</span></div><div style="text-align: right;"><span style="font-size: medium;">التي لا مفرَّ منها، وغير القابلة للدحض.</span></div><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">لكن الكلمات ينبغي ألا تُحمَّل</span></div><div style="text-align: right;"><span style="font-size: medium;">أكثر من طاقتها</span></div><div style="text-align: right;"><span style="font-size: medium;">هذا ليس جيداً لمظهرها</span></div><div style="text-align: right;"><span style="font-size: medium;">أو سمعتها.</span></div><div style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: right;"><span style="font-size: medium;">لأنه سواء رقصتْ وحيدة</span></div><div style="text-align: right;"><span style="font-size: medium;">أو مع شريكٍ لا مرئي</span></div><div style="text-align: right;"><span style="font-size: medium;">كل كلمة كون</span></div><div style="text-align: right;"><span style="font-size: medium;">يذيب كلَّ ما هو أخرسٌ</span>.</div><div style="text-align: right;"><br /></div><div dir="ltr" style="text-align: left;"><br /></div><div dir="ltr" style="text-align: left;"><div style="text-align: left;">Here is more info from his <a href="https://www.amazon.com/stores/Yahia-Lababidi/author/B0042SRQWG?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true" target="_blank">Amazon Page</a>:</div><br />Lababidi's recent publications include DESERT SONGS (Rowayat, 2022) his love letter to Egypt's deserts featuring Arabic translations by esteemed Syrian poet, Osama Esber, and transporting images by Moroccan photographer, Zakaria Wakrim; as well as LEARNING TO PRAY: a Book of Longing (Kelsay Books, 2021) which the Dean of Cambridge Muslim College, Abdal Hakim Murad, says 'summons us to a spiritual but entirely undogmatic journey.' Carla Power, author and former Newsweek correspondent, describes Learning to Pray this way: "In lean, luminescent verse, Lababidi has created a portal into quiet worlds, guiding us to be our best selves. He reminds us of the richness of the stilled and savored. In difficult times, his poems help the reader to summon courage and beauty."<br /><br />In 2020, Lababidi published REVOLUTIONS OF THE HEART (Wipf & Stock) a collection of essays and conversations, at the intersection of literature, social activism and mysticism. He is, also, the author of 2 critically-acclaimed books of aphorisms: SIGNPOSTS TO ELSEWHERE (2019) and WHERE EPICS FAIL (2018). <br /><br />Featured on PBS NewsHour, Lababidi's short meditations were generously endorsed by President Barack Obama's inaugural poet, Richard Blanco, who wrote: "Aphorisms are an ancient form, but its current-day master is Yahia Lababidi." Signposts was selected as a Book of the Year by The Independent (UK) and issued by Hay House, publishers of Deepak Chopra, Dr. Wayne Dyer and Marianne Williamson.<br /><br />Lababidi, Egyptian-American thinker/poet, and author of 5 other well-received books of poetry and prose, has been invited to speak at Oxford University and NPR as well as being featured in Best American Poetry, World Literature Today, On Being with Krista Tippett, The Guardian and Al Jazeera, among several other esteemed cultural outlets. <br /><br />Lababidi's BALANCING ACTS: New & Selected Poems (1993-2015), published by Press 53, is a celebration of more than twenty years of his poetry. According to Chard deNiord, Poet Laureate of Vermont, it 'resonates in plain-spoken yet dazzling poetry--sometimes epigrammatic, sometimes expansive--that betrays the eclectic transmissions of Lababidi's myriad influences, from Rumi to Kierkegaard, Dickinson to Kafka.'<br /><br />Also by Lababidi is an eclectic collection of cultural essays, TRIAL BY INK: From Nietzsche to Belly Dancing as well as two poetry volumes, FEVER DREAMS and BARELY THERE, a collection of his shorter verse, much of which was inspired by the constraints of social media and touches on the life of the spirit. Along with Alex Stein, he is also the co-author of a genre-bending book, THE ARTIST AS MYSTIC: Conversations with Yahia Lababidi. <br /><br />Lababidi's work appears in numerous anthologies, including Short Flights (Schaffner Press, 2015) a unique anthology that draws together the work and musings of 32 leading pioneers of short-form writing, or aphorisms. He is the only contemporary Arab writer in the encyclopedia: Geary's Guide to the World's Great Aphorists, and the youngest poet included in the best-selling US college textbook, Literature: an Introduction to Reading and Writing (10th edition). <br /><br />Lababidi was one of twenty-two powerful voices, from poets and novelists to actors to take part in the activist anthology: Small Blows Against Encroaching Totalitarianism Vol. 1 (McSweeney's, 2018). He is also one of around a dozen distinguished artists and thinkers featured in the anthology, Masks: Bowie & Artists of Artifice (Intellect Books, 2020) alongside artists and thinkers such as: Slovenian philosopher, Slavoj Žižek and Rock and Roll Hall of Fame inductee, Gary Valentine (founding member of the New Wave band, Blondie).<br /><br />Nominated for a Pushcart Prize, three times, Lababidi's writing has been translated into several languages, including: Arabic, Hebrew, Slovak, Spanish, French, Italian, German, Dutch, and Swedish. Otherwise, several video-poems based on his work, have been shown at film festivals, worldwide, while he has participated in international poetry festivals throughout the USA, Europe and the Middle East. <br /><br />Lababidi was chosen as a Juror for the 2012 Neustadt International Prize for Literature - a biennial award widely considered to be the most prestigious international literary prize after the Nobel Prize in Literature.</div></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-57490216350586570712024-01-11T20:50:00.000-08:002024-01-11T20:50:51.541-08:00Stories from the Center of the World : New Middle East Fiction [Forthcoming Anthology]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSz_-GQgestH6teFT72LCFcj00xgnrI1kMRH_l80VuvssIJKYaoqI6w43BxemZKUxZ3lbGjGL7-kfz3_10ViM27uuMw6en6Efjbhl6F-CcuvittdLy5CCY0NuO5bEICzKSnD8uSHUIyQVJuqEsm7lHEkcK-DWg2WpqytRL5q-n8Ltrztj1wAnkGSYw54/s1500/81QeDtLhzFL._SL1500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSz_-GQgestH6teFT72LCFcj00xgnrI1kMRH_l80VuvssIJKYaoqI6w43BxemZKUxZ3lbGjGL7-kfz3_10ViM27uuMw6en6Efjbhl6F-CcuvittdLy5CCY0NuO5bEICzKSnD8uSHUIyQVJuqEsm7lHEkcK-DWg2WpqytRL5q-n8Ltrztj1wAnkGSYw54/w269-h404/81QeDtLhzFL._SL1500_.jpg" width="269" /></a></div><br /><div><br /></div><div>A new book titled <i>Stories from the Center of the World : New Middle East Fiction</i> (Edited by Jordan Elgrably) is forthcoming from City Lights Publishers and will include short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world.</div><div><br /></div><div>Readers in the San Francisco Bay Area are invited to a Book Launch @City Lights Bookstore which is scheduled for Thurs May 9, 2024, 7pm. You can also pre-order the book on Amazon at <a href="https://www.amazon.com/Stories-Center-World-Middle-Fiction/dp/0872869075" target="_blank">this link</a>.</div><div><br /></div><div><i>Stories from the Center of the World</i> gathers new writing from the Greater Middle East, a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, to name a few.<br /><br />In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou’s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes—and religions that have often been at odds with one another—believe they can overcome all obstacles. MK Harb’s story, “Counter Strike,” is about queer love among Beiruti adolescents, and Salar Abdoh’s “The Long Walk of the Martyr” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, and are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists—Israeli occupation forces—are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad’s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away.<br /><br />Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, May Haddad, Malu Halasa, Mohamad Khalil (MK) Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureshi, Sahar Mustafah, Ahmed Naji, Mai Al-Nakib and Natasha Tynes.</div><div><br /></div><div><b><u>ABOUT THE EDITOR:</u></b></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg4TZU3v4wTIE4nqxmlAkw6LiCAHv7xpEyDc2V_9bU3G4cz4r_vhf8v3NVke6czUjoGOUCdcrWDbaPY5K1eqhbNKiJct2horQ8i4flIBQOqtY_N5eQL9_hlfeokFIY1kw9lqK1OpmEZI1FlnBtUSwj5ICXbsfeZrMxAly76MqDFbR81_GFtOJwiSFLl9I/s324/Screenshot%202024-01-11%20200842.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="252" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg4TZU3v4wTIE4nqxmlAkw6LiCAHv7xpEyDc2V_9bU3G4cz4r_vhf8v3NVke6czUjoGOUCdcrWDbaPY5K1eqhbNKiJct2horQ8i4flIBQOqtY_N5eQL9_hlfeokFIY1kw9lqK1OpmEZI1FlnBtUSwj5ICXbsfeZrMxAly76MqDFbR81_GFtOJwiSFLl9I/s320/Screenshot%202024-01-11%20200842.jpg" width="249" /></a></div><br /><div>Jordan Elgrably is an American, French and Moroccan writer and translator whose stories and creative nonfiction have appeared in numerous anthologies and reviews,including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of <i>The Markaz Review</i>, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001–2020), and producer of the stand-up comedy show “The Sultans of Satire” (2005–2017) and hundreds of other public programs. He</div><div>is based in Montpellier, France and California.</div><div><br /></div><div><b><u>Praise for Stories from the Center of the World:</u></b><br /><br />“A truly ambitious mix of established and emerging literary stars from a region of the world too often viewed through the lens of religion and politics. The stories collected by Elgrably reflect almost every corner of the mosaic that is the modern Middle East, giving practically everyone a voice and serving as a reminder of our common humanity. A timely and necessary collection for anyone who loves good stories.” —Reza Aslan, author of An American Martyr in Persia<br /><br />“It seems like short fiction by Middle Eastern writers, writing in English or in translation, has taken an evolutionary leap in the last few years. Stories from the Center of the World is the latest entry in this renaissance. This volume is loaded with two dozen stories of exile, love, and magical realism. The characters that populate them are a patchwork of ethnic identities, as it is the case in the ‘center of the world’. What is impressive about this collection is how culturally informed and varied it is. The languages and settings referenced stretch across the globe, from Las Vegas to Beirut. These riveting and original tales range from a story about an Egyptian in exile looking for a place to pray in Las Vegas to a story about an ambitious writer who accidentally lands on the devil’s waitlist. I highly recommend that readers of this rich anthology take time to rinse their palate between each story.”—Zein El-Amine, author of Is This How You Eat a Watermelon?<br /><div><br /></div><div><b><u>CONTACT INFO:</u></b><br /><div><br /></div><div>Stacey Lewis<br />VP, Director of Publicity, Marketing & Sales<br />City Lights Publishers<br />261 Columbus Avenue, San Francisco, CA 94133<br />stacey@citylights.com<br />(415) 362-1901<br /><br /><div><br /></div></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-86333140517616434512023-12-23T12:01:00.000-08:002024-01-07T17:48:10.849-08:00Elyanna Opens El Gouna Film Festival 2023 with Her Song for Peace<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixcxJYnBc5JqyiVoVwxK3onuc_vZwc9E-mC_0BpH_EZHIGlBiCFnuHHmzJ5NubVJJu_13idjt5AXnbX5ONvvviiqUa0btEz4RArwWXwNNBc2G_DMVEDcM7542925BD8LBd2FZBIzR-Emd2UFieFuYDpHMrthacSrJlRiAm-BUj01Mqhda71rGIUlyJQk4/s800/41_2023-638382510630925498-92.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="533" data-original-width="800" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixcxJYnBc5JqyiVoVwxK3onuc_vZwc9E-mC_0BpH_EZHIGlBiCFnuHHmzJ5NubVJJu_13idjt5AXnbX5ONvvviiqUa0btEz4RArwWXwNNBc2G_DMVEDcM7542925BD8LBd2FZBIzR-Emd2UFieFuYDpHMrthacSrJlRiAm-BUj01Mqhda71rGIUlyJQk4/s320/41_2023-638382510630925498-92.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Elyanna at the El Gouna Festival, December 2023</span></td></tr></tbody></table><div style="text-align: center;"><br /></div> <div style="text-align: center;"><br /></div>Palestinian-Chilean singer and songwriter Elyanna gave a moving rendition of her newest song 'Ghosn Zeytoun' (Olive Branch) during the opening of the 6th El-Gouna Film Festival in Egypt on December 14, 2023. You can watch her performance below or <a href="https://youtu.be/FC5N94dMwHo?feature=shared" target="_blank">here</a>.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="369" src="https://www.youtube.com/embed/FC5N94dMwHo" width="444" youtube-src-id="FC5N94dMwHo"></iframe></div><br /><div><br />Footage shared by attendees at the <a href="https://english.ahram.org.eg/News/514086.aspx">GFF's opening ceremony</a> shows the audience moved to tears by Elyanna's deeply emotional take on the song.<br /><br />The El-Gouna Film Festival shared Elyanna's live performance on <a href="https://www.instagram.com/reel/C02El7XoTW4/?utm_source=ig_web_copy_link&igsh=NTYzOWQzNmJjMA==" target="_blank">Instagram</a>, noting that "Her emotive rendition reflects a deep sense of sorrow for her compatriots in Gaza. It's a poignant portrayal of the profound pain, an acknowledgment of the constraints that confine her expressions to the realm of music in the face of the distressing reality of enduring violence."<br /><br />Elyanna initially shared the song "Olive Branch" on her Instagram in October, expressing, "In the past few days, I've been grappling with my emotions to articulate them. It's been challenging to witness everything unfolding, and I'm worried and praying for my family, friends, and people back home." The song later evolved into a music video released on YouTube on December 5. You can watch that older version below or at <a href="https://youtu.be/zymQkDlMbi4?feature=shared" target="_blank">this link</a>:</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="351" src="https://www.youtube.com/embed/zymQkDlMbi4" width="422" youtube-src-id="zymQkDlMbi4"></iframe></div><br /><div>This song serves as Elyanna's direct response to the ongoing tragedy in Gaza. The poignant lyrics of "Olive Branch" were collaboratively penned by Elyanna, Feras Marjieh, and Abeer Marjieh.</div><div><br />In solidarity with the Palestinian people, Elyanna canceled her first North American tour scheduled for November across the United States and Canada. It has been rescheduled for February 2024.<br /><br /></div><div><div>Here are the lyrics to Elyanna's song "Olive Branch" followed by an English translation:</div><div><br /></div><div style="text-align: center;"><br /></div><div><span style="background-color: rgba(0, 0, 0, 0.05);"><div style="color: #131313; text-align: center; white-space-collapse: preserve;"><span style="font-family: arial;">خلص الحكي شو بعد بقول </span></div><span style="font-family: arial;"><div style="color: #131313; text-align: center; white-space-collapse: preserve;">خلص البكي والقلب مجروح </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">بعيدي هيك وعم صلي ليك </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">و ابعت سلام بغصن زيتون </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">بعيدي هيك وعم صلي ليك </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">و ابعت سلام بغصن زيتون </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">بارض السلام مات السلام </div><div style="color: #131313; text-align: center; white-space-collapse: preserve;">و كون غافي ع طفل موجوع </div><div style="text-align: center;"><span style="color: #131313; white-space-collapse: preserve;"><br /></span></div></span></span><div style="text-align: center;">Translation: </div></div><div style="text-align: center;">Words aren’t enough, what else can I say? </div><div style="text-align: center;">My tears have dried out, and my heart is broken </div><div style="text-align: center;">I'm far away, but I’m praying for you </div><div style="text-align: center;">And I’m sending peace, on an olive branch </div><div style="text-align: center;">I’m far away, but I’m praying for you </div><div style="text-align: center;">And I’m sending peace, on an olive branch </div><div><div style="text-align: center;">In the land of peace, peace has died</div><div style="text-align: center;">And the world is sleeping on a hurt child</div></div><div><div style="text-align: center;"><br /></div><b></b></div><br /><b><u>Click here to read more about El Gouna Film Festival 2023 (link forthcoming)</u></b></div><div><br /></div><div><div><b><u>About Elyanna:</u></b></div><div><br /></div><div>Born in 2002 in Nazareth to a Christian Palestinian and Chilean family, Elian Marjieh, known by her stage name Elyanna, started her singing journey at the age of seven, posting successful covers on SoundCloud. In 2017, at the age of 15, she moved with her family to San Diego, California, eventually settling in Los Angeles, where she launched her music career. Elyanna has released two LPs: "Elyanna" in 2020 and "Elyanna II" in 2022.</div><div><br /></div><div>In April 2023, she made headlines when she became <a href="https://www.arabology.org/2023/04/elyanna.html" target="_blank">the first artist to sing in Arabic at Coachella</a>. See <a href="https://www.arabology.org/2023/04/elyanna.html" target="_blank">this link</a> for more info then watch the ABC TV report below about her rise to fame (aired in April 2023):<br /><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="377" src="https://www.youtube.com/embed/fKsK_VpiwVE" width="454" youtube-src-id="fKsK_VpiwVE"></iframe></div><br /><div class="separator" style="clear: both; text-align: left;"><br /></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-11619854096056547092023-11-23T14:48:00.000-08:002023-12-29T18:17:15.850-08:00Nadine Labaki co-stars with Fanny Ardant in 'Back to Alexandria' (2023)<h1 style="text-align: center;"> Nadine Labaki and Fanny Ardant Star in Tamer Ruggli's Back to Alexandria وحشتيني</h1><h3 style="text-align: center;">Film Review by Dr. Ramzi Salti</h3><h3 style="text-align: center;">Stanford University</h3><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtWlv6eabVV-MyTuRPwcrJWR5mEsiCLqRrdR5uKABUjA_N5vruOMJkWarTDh6d8nkHDUT0MON6kLkGFUlKm1CGStPhFf4ShkRZAXXQOBwgG48y_LO6-1Hpgr2SzaQlS5-ZbFZGNsLgW0gFodSA-RJbtnBUPAAJ3-YqK-LtdXJEdZwxjSFTro-kXrupQCo/s5906/MV5BYmE0ZTM2OGEtNTU2MS00ZWJlLWI2NjEtZWFkZWU4M2I2OWU3XkEyXkFqcGdeQXVyMTUwOTU0Mw@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5906" data-original-width="4134" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtWlv6eabVV-MyTuRPwcrJWR5mEsiCLqRrdR5uKABUjA_N5vruOMJkWarTDh6d8nkHDUT0MON6kLkGFUlKm1CGStPhFf4ShkRZAXXQOBwgG48y_LO6-1Hpgr2SzaQlS5-ZbFZGNsLgW0gFodSA-RJbtnBUPAAJ3-YqK-LtdXJEdZwxjSFTro-kXrupQCo/w265-h379/MV5BYmE0ZTM2OGEtNTU2MS00ZWJlLWI2NjEtZWFkZWU4M2I2OWU3XkEyXkFqcGdeQXVyMTUwOTU0Mw@@._V1_.jpg" width="265" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p style="text-align: left;">In Tamer Ruggli's <i>Back to Alexandria</i>, the audience is invited on an emotionally charged odyssey through the vibrant landscapes of Egypt, exploring themes of reconciliation, nostalgia, and the empowering journey of self-discovery. The film follows Sue, portrayed with depth and nuance by Nadine Labaki, as she returns to her native Egypt after an absence of two decades, seeking to reconnect with her ailing mother, Fairouz (Fanny Ardant).</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK3FL8PtDVYRPwnSPiZXNYSKhfKANWn-9EzrKNz3nFcHhJv90VSa7B_D4HECQc_tVTkBnAHaisquaI0k7PrH-13nVU-4wbzkivzRcgrsowFzrYLDZcpdfJyQ01Lq4FjXRl1Hd_0WEZPRifOStfyXOMkVf2_DsTRmkFd4XWles4bG0_-YstbGgi8uIFWxM/s1000/Back-to-Alexandria.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="1000" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK3FL8PtDVYRPwnSPiZXNYSKhfKANWn-9EzrKNz3nFcHhJv90VSa7B_D4HECQc_tVTkBnAHaisquaI0k7PrH-13nVU-4wbzkivzRcgrsowFzrYLDZcpdfJyQ01Lq4FjXRl1Hd_0WEZPRifOStfyXOMkVf2_DsTRmkFd4XWles4bG0_-YstbGgi8uIFWxM/w387-h218/Back-to-Alexandria.webp" width="387" /></a></div><p style="text-align: left;">Ruggli weaves a compelling narrative that traverses the bustling streets of Cairo to the enchanting vistas of Alexandria. The visual storytelling captures the essence of Egypt, using its cultural richness to mirror the complexities of Sue's emotional journey. The cinematography, coupled with a soulful musical score, creates an immersive experience that resonates with the audience.</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="356" src="https://www.youtube.com/embed/uIdb2Bk3MlA" width="428" youtube-src-id="uIdb2Bk3MlA"></iframe></div><div class="separator" style="clear: both; text-align: center;"><i>Back to Alexandria</i> film trailer</div><br /><p style="text-align: left;">The international ensemble cast, including French actress Fanny Ardant, Swiss actors Manuela Biedermann and Laurent Deshusses, and Egyptian talents like Laila Ezz El Arab, Hany Adel, Karima Mansour, Hazem Ehab, and Salwa Othman, adds layers to the film's emotional depth. Each actor brings authenticity to their characters, contributing to the film's exploration of family dynamics and personal growth.</p>While Tamer Ruggli takes the directorial helm, it's worth noting the connection to Nadine Labaki in the film's promotional context. Labaki's prior cinematic achievements, such as "Caramel," "Where Do We Go Now?," and "Capernaum," have set a high standard for emotionally resonant storytelling, and this association may raise expectations for a similar emotional depth in "Back to Alexandria."<br /><br />The narrative unfolds as Sue grapples with distant memories, mixed feelings about her past, and the eccentricities of her mother. Ruggli skillfully navigates the complexities of Sue's emotional terrain, making her journey a universal exploration of identity and empowerment through confronting one's history.<br /><br />As the film is set to grace the Cairo International Film Festival, Ruggli's "Back to Alexandria" promises to be a poignant addition to the cinematic landscape. The movie's portrayal of Sue's transformative journey and the nuanced performances of the cast contribute to its potential impact. "Back to Alexandria" stands as a testament to the power of storytelling in cinema, offering audiences a heartfelt narrative that resonates with themes of family, homecoming, and the strength found in embracing one's past.Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0Stanford, CA, USA37.424105999999988 -122.16607569.1138721638211422 -157.3223256 65.734339836178833 -87.0098256tag:blogger.com,1999:blog-6905758823896102397.post-58812733159645807842023-10-13T22:32:00.007-07:002023-11-04T23:25:58.146-07:00Review: ReOrient Festival of Short Plays in San Francisco (2023)<h2 class="lh-title b mb3" style="background-color: white; border: 0px; font-family: "Source Sans Pro", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 1.5rem; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; font-weight: var(--bold-font-weight); line-height: 1.25; margin-bottom: var(--spacing-small); margin-left: 0px; margin-right: 0px; margin-top: 0px; padding: 0px; vertical-align: baseline;">Six short plays. One unforgettable evening. </h2><div><br /></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oahhdXA1xKxCdofv2hbFr9cdU-Z9b_Npuw4lYAmzPNGO-vC3laNwb8zrjV61bn7HdEqXXwtf2wOhoJZGhukcVtfR_mWCGEsVITAQy1Vmm2jx2A8eBV1kd9ny1sOt9Xw0TctYupZeOhsr9NlF85CyolBrAWJcQz8P7Ajyb3oT5zwm3l6vhg93wnRFYd4/s1000/FINAL-ReOrient_2023_final_1000x400.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="400" data-original-width="1000" height="128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oahhdXA1xKxCdofv2hbFr9cdU-Z9b_Npuw4lYAmzPNGO-vC3laNwb8zrjV61bn7HdEqXXwtf2wOhoJZGhukcVtfR_mWCGEsVITAQy1Vmm2jx2A8eBV1kd9ny1sOt9Xw0TctYupZeOhsr9NlF85CyolBrAWJcQz8P7Ajyb3oT5zwm3l6vhg93wnRFYd4/s320/FINAL-ReOrient_2023_final_1000x400.jpeg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Info at <a href="https://goldenthread.org/productions/reorient-2023/" target="_blank">this link</a></span></td></tr></tbody></table><p style="text-align: left;">In October-November of this year, ReOrient 2023 celebrated the return of their signature program, an innovative and spirited festival of short plays from or about the Middle East. Playwrights this year included Katrin Arefy, Adam Ashraf Elsayigh, Yussef El Guindi, Arti Ishak, Hamed Sinno, Judith Boyajian Strang-Waldau.</p>Here is an interview by Dr. Ramzi Salti with Golden Thread Dramaturg Marina Johnson who discussed this year's featured plays and playwrights Katrin Arefy, Adam Ashraf Elsayigh, Yussef El Guindi, Arti Ishak, Hamed Sinno, Judith Boyajian Strang-Waldau. Info at <a href="http://goldenthread.org">goldenthread.org</a><div><br /></div><div><div></div></div>
<iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1641470052&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe><div><div><div style="color: #cccccc; font-family: Interstate, "Lucida Grande", "Lucida Sans Unicode", "Lucida Sans", Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; font-weight: 100; line-break: anywhere; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; word-break: normal;"><a href="https://soundcloud.com/arabology" style="color: #cccccc; text-decoration: none;" target="_blank" title="arabology">arabology</a> · <a href="https://soundcloud.com/arabology/promos2023" style="color: #cccccc; text-decoration: none;" target="_blank" title="Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)">Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)</a></div></div></div><div style="color: #cccccc; font-family: Interstate, "Lucida Grande", "Lucida Sans Unicode", "Lucida Sans", Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; font-weight: 100; line-break: anywhere; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; word-break: normal;"><br /></div><br /><div><div>More info and tickets at <a href="https://goldenthread.org/productions/reorient-2023">https://goldenthread.org/productions/reorient-2023</a></div><div><br /><div class="separator" style="clear: both;"><iframe allowfullscreen="" class="BLOG_video_class" height="394" src="https://www.youtube.com/embed/IE8vFyYv4Xw" width="474" youtube-src-id="IE8vFyYv4Xw"></iframe></div><div class="separator" style="clear: both;"><br /></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0San Francisco, CA, USA37.7749295 -122.41941559.4646956638211535 -157.5756655 66.085163336178852 -87.2631655tag:blogger.com,1999:blog-6905758823896102397.post-88731694560789742662023-10-12T23:39:00.009-07:002023-12-22T09:50:35.342-08:00Postponed: 27th Arab Film Festival in San Francisco<i><b>IMPORTANT NOTE: The Arab Film Festival this year has been postponed to a later date.</b></i><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLHbXHTFIZpHbLIC7bTUzq_Xu00fSFTmeul58Op3PWzIeOY383Rfvq2oyVHY867DviUsLfNB1VPV7HkyJV1De9ZOdj-_s4ZXmEuSzXqJhyphenhyphenYIVF-YNpSI79p7jDe7VkVxaAMgB8O_zeu8Uf03SElzFOk9_Z8e-jNJYR_AZC59gd3kyHD3aVPc-Iai1B7c/s1201/aff2023-1200x630-80.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="630" data-original-width="1201" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLHbXHTFIZpHbLIC7bTUzq_Xu00fSFTmeul58Op3PWzIeOY383Rfvq2oyVHY867DviUsLfNB1VPV7HkyJV1De9ZOdj-_s4ZXmEuSzXqJhyphenhyphenYIVF-YNpSI79p7jDe7VkVxaAMgB8O_zeu8Uf03SElzFOk9_Z8e-jNJYR_AZC59gd3kyHD3aVPc-Iai1B7c/w646-h340/aff2023-1200x630-80.jpg" width="646" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: start;">For more info: </span><a href="https://arabfilm2023.eventive.org/welcome" style="text-align: start;">https://arabfilm2023.eventive.org/welcome</a></td></tr></tbody></table><p> <br />Click <a href="https://on.soundcloud.com/YxwVV" target="_blank">here</a> (or listen below at 16:10) for Dr. Ramzi Salti's interview with Yasmina Tawil, Programming Director for the Arab Film Festival, who spotlights the Opening Night feature film 'Hajjan' by Abu Bakr Shawky and the other selected movies this year. For info and tickets, see <a href="http://arabfilmfestival.org">arabfilmfestival.org</a></p><p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1641470052&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p><div style="color: #cccccc; font-family: Interstate, "Lucida Grande", "Lucida Sans Unicode", "Lucida Sans", Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; font-weight: 100; line-break: anywhere; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; word-break: normal;"><a href="https://soundcloud.com/arabology" style="color: #cccccc; text-decoration: none;" target="_blank" title="arabology">arabology</a> · <a href="https://soundcloud.com/arabology/promos2023" style="color: #cccccc; text-decoration: none;" target="_blank" title="Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)">Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)</a></div>
<p></p><p>The flagship event of the Arab Film and Media Institute, the Arab Film Festival is the longest running independent festival of its kind in North America. Launched in 1996, the festival's mission is to present the best of contemporary films that illuminate the richness of Arab culture through authentic narratives and images, providing insight into the beauty and complexity of the Arab world.</p>The festival also offers special programming to local audiences, and unprecedented access to the diversity and range of authentic Arab experiences. The festival has gained an international reputation for excellence and offers its audiences access to media that reflects the lives of under-represented and provocative themes and groups on a cultural and societal level.<br /><br />The 27th edition was supposed to run November 10-19, 2023, in-person throughout the San Francisco Bay Area, with a virtual track open nationally. Los Angeles and New York City dates coming soon.<div><br /></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhywp8EcOXkVu5XwBP2VBX_QO9wu0aNPolYpwm3yINkFxQ5JBjsBGEKGbwBuc3hZputXt3OxvOm9SRlm7FzlRNKBb53t1wNLkCKmwLxRddl6XqvvrJQxhc-eGRkCF_yqbZ2Pap15XK-PdHICiAXqUuSWj4b_1KURqPBTzbCjZ13CoCD5bQ-w0u3R_onD6w/s1024/AOFB4NPGINATXCMEHTKC2EJHLI.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="576" data-original-width="1024" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhywp8EcOXkVu5XwBP2VBX_QO9wu0aNPolYpwm3yINkFxQ5JBjsBGEKGbwBuc3hZputXt3OxvOm9SRlm7FzlRNKBb53t1wNLkCKmwLxRddl6XqvvrJQxhc-eGRkCF_yqbZ2Pap15XK-PdHICiAXqUuSWj4b_1KURqPBTzbCjZ13CoCD5bQ-w0u3R_onD6w/w443-h249/AOFB4NPGINATXCMEHTKC2EJHLI.jpeg" width="443" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Opening night film: <i>Hajjan </i>by Abu Bakr Shawky</td></tr></tbody></table><div><br /></div><div>The Festival will open on November 10 in San Francisco with the U.S. Premiere of HAJJAN, a bold and exciting adventure film from award-winning filmmaker, and AFF alum, Abu Bakr Shawky.</div><br />Synopsis: In the highly competitive world of desert camel racing, where bedouin family legacies are forged, young Ghanim dreams of seizing victory in the annual Great Safwa Race in honor to his legendary grandfather, known only as Hajjan – “The Jockey”. But tragedy strikes when he is thrown from his mount by a mysterious rider in a golden headscarf, resulting in his tragic death. Witnessing his older brother's suspicious demise, orphaned Mattar vows to restore his family honor, embarking on a mission to become a Hajjan himself.<br /><br /><div>Toronto International Film Festival - 2023 Official Selection</div><div><br /><div><div><div>Filmmaker bio:<br /><br /><div style="text-align: center;"><img height="320" src="https://storage.googleapis.com/eventive-static/3709e1aa266ebdc47eaefe0ce3f3af97.jpg" width="214" /></div></div><div><br /></div><div>Abu Bakr Shawky is an Egyptian Austrian writer and director who studied film at the New York University Tisch School of the Arts and Egypt’s High Institute of Cinema. His works include the short films El Mosta'mara (2009), The Road to Atalia (2010), Martyr Friday (2011), and Things I Heard on Wednesdays (2012), and the features 30/30 Vision: 3 Decades of Strand Releasing (2010) and Yomeddine (2018). Hajjan (2023) is his latest film.</div></div><div><br /></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0429 Castro St, San Francisco, CA 94114, USA37.7620333 -122.43475919.4517994638211533 -157.5910091 66.072267136178851 -87.2785091tag:blogger.com,1999:blog-6905758823896102397.post-4713949195833683492023-09-17T04:48:00.004-07:002023-12-23T12:26:05.444-08:00Hiya Debuts New Bilingual Single 'Banadi' ft Music Video Release Party (Photos + Interview)<div><h2 style="text-align: center;">Hiya's New Single + Music Video "Banadi" Released</h2><div><br /></div><div><br /></div><div>HIYA (n.) Hiya she – feminine singular. The Arabic word for she or her. The best version of any woman is her highest self, and she is waiting to be surfaced.</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj5fnGVwhUR4HEGnfSRup368eebdT7lGN86ZX3wTIbp_NprKx5Q1bSnpK3SBgoTzsOSwda0O4v5WQhk7K63eThunxFvc8o3bTNXmBavJ4veN2VBLy9gtLxIuqhqVKrL17LVpAhTAhFuPc8c70-wTgFp5pjT7tS9v5ncUWK1VZaMHpQcEe_g5MqUgH1dT3U"><img src="https://blogger.googleusercontent.com/img/a/AVvXsEj5fnGVwhUR4HEGnfSRup368eebdT7lGN86ZX3wTIbp_NprKx5Q1bSnpK3SBgoTzsOSwda0O4v5WQhk7K63eThunxFvc8o3bTNXmBavJ4veN2VBLy9gtLxIuqhqVKrL17LVpAhTAhFuPc8c70-wTgFp5pjT7tS9v5ncUWK1VZaMHpQcEe_g5MqUgH1dT3U" /></a></div><div style="text-align: center;"><span style="font-size: x-small;">Single was released on September 7, 2023</span></div><br />[Amman, Jordan] Hiya is an up and coming Jordanian artist, performer, and singer/songwriter of Palestinian/Lebanese heritage. In September 2023, she made her debut with BANADI, a moving and intense bilingual ballad that chronicles her journey through a deeply traumatic experience.<div><ul><li>You can now listen to Banadi on all major music platforms. <a href="https://levantine.ampl.ink/banadi" target="_blank">Click here to listen</a>.</li><li>You can also watch the music video at <a href="https://youtu.be/L6R-iOo4d2c?si=kJD_MtdwiF7Jxsgy" target="_blank">this link</a>.</li></ul></div><div>By infusing western genres with an Arab twist that resonates with her ancestry, Hiya developed her edgy and retro sound: harmonizing the different beats and melodies from R’n’B, blues, soul, and dark pop. She leaves her personal touch through her songs as she takes on an emotional, acoustic approach to singing. By singing with sincerity and an appreciation for every person listening to her lyrics, Hiya creates an emotional bond both with her audience and herself.<br /><br />“The name Hiya came to me as a reflection of my personality and roots. I wanted a name that represents my identity as a strong Jordanian woman, embracing my Lebanese and Palestinian ancestry,” she says.<br /><br />Through her vulnerable and heartfelt lyrics, in Banadi, Hiya conveys the turmoil and pain that she endured in the aftermath of a significant event in her life. As she sings, it becomes evident that she has had to confront the harsh, haunting realities of isolation and despair, having been left in a state of turmoil and utter disarray. However, her powerful voice symbolizes the undefeated spirit of resilience, emerging from the ruins of her past to build a new life for herself.<br /><br />The song is a testament to Hiya's strength and fortitude in the face of adversity, and speaks to the universal experience of rising above hardship and overcoming obstacles, offering a message of <br />hope and inspiration to all those struggling to find their way.<br /><br />“In Banadi, I’m reclaiming my power and taking control of my life. This song reflects the emotional roller coaster I went through when some meaningful relationships ended at once when I was already at my lowest, triggering more pain and anger, but it’s also a sign of my inner strength and determination.”<br /><br />With its captivating melody and poignant lyrics, Banadi is a powerful anthem for those who have confronted personal loss, heartbreak, or mental struggles, only to emerge with newfound strength<br />and resilience. As Hiya sings of her rebirth from the flames of her mental health crisis, she inspires listeners to find their own strength and rebuild themselves.<br /><br /><u>Follow Hiya</u><br />Instagram - @sheishiya<br />Facebook - SheIsHiya<br />YouTube - @sheishiya<br />TikTok - @sheishiya<br /><br /><u>Song credits:</u><br />Producer: Issa Shahin<br />Recorded at SoundSource Studios<br />Written by HIYA and Ribal Jafari<br />Performed by HIYA<br />Mastered by Streaky Studio</div><div><br /></div><div><u>Here are the lyrics to the song Banadi (English/Arabic): </u></div><div><br /></div><div>You’re shining my pretty, my city, in flames,</div><div>Sometimes I wonder If I’ll feel the same, </div><div>Running too close, </div><div>So I pause to regain, </div><div>My power, to love you over my hate</div><div><br /></div><div dir="rtl"> بنادي عحالي يومي بيتغير, بحرب قلب, عقل و ريح </div><div dir="rtl">روحي بتتفرغ مجانيني بتصيح </div><div><br /></div><div>Poisoned chemistry Sickened mentally </div><div>Breathlessly becoming my enemy </div><div>My sound was heavenly </div><div>When it was you and me </div><div>The remedy of a broken soul </div><div>Played me recklessly you know it triggered me</div><div><br /></div><div dir="rtl"> أسئلتي ولا أفكاري لو بس تهدى الأصوات </div><div><br /></div><div>Like a shot in the brain and you didn't seem to hesitate and </div><div>I started losing all the faith inside زي القمر لما يختفي darkness fills in, anxiety </div><div>But I won't let it get the best of me </div><div>All alone </div><div>Trying to breathe through the smoke </div><div>And if I’ve fallen </div><div>Into the cracks of my soul</div><div><br /></div><div>Here is an <a href="https://soundcloud.com/arabology/hiya?si=e0313f42191b4d519703a1f38674ebd1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank">exclusive interview with Hiya</a> who was kind enough to speak with Dr. Ramzi Salti just minutes before the official launch (also available through the <a href="https://kite.link/arabology" target="_blank"><i>Arabology</i> podcast</a> on Spotify, Anghami, etc.)</div></div><div><br /></div><div><b><u>Hiya Music Video Release Party in Amman (Featuring Exclusive Interview)</u></b></div><div><b><u><br /></u></b></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQnpZoWM6UNRMQyh3TGRsiuFQPb-i3ZPV_-lyW-DJuRZGUlvhpH6okq6gBDpWDQjfHqn0eBkc4-5iIWAqc0kmJj8PSQAj9SNGL5rUlKdD72NiEF7IwQh4OoMMEAlk2nXUwn2R1CD65uZg2qrc-5SF4_Ga6g6-R9xrWXIMWLPcmCY7XIlc25QpBMseCLqE/s1861/IMG_3711-COLLAGE.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1861" data-original-width="1861" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQnpZoWM6UNRMQyh3TGRsiuFQPb-i3ZPV_-lyW-DJuRZGUlvhpH6okq6gBDpWDQjfHqn0eBkc4-5iIWAqc0kmJj8PSQAj9SNGL5rUlKdD72NiEF7IwQh4OoMMEAlk2nXUwn2R1CD65uZg2qrc-5SF4_Ga6g6-R9xrWXIMWLPcmCY7XIlc25QpBMseCLqE/s320/IMG_3711-COLLAGE.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Photo of Hiya with family and fans at video premiere party in Amman</span></td></tr></tbody></table></div><div><br /></div><div>Not one to rest on her laurels, Hiya has just released a powerful music video for her hit song, accompanied by CC lyrics on YouTube. You can watch the music video below or at <a href="https://youtu.be/L6R-iOo4d2c?si=ls0GZJc0c9tmoTza" target="_blank">this link</a>. </div><div><br /></div><div style="text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="356" src="https://www.youtube.com/embed/L6R-iOo4d2c" width="428" youtube-src-id="L6R-iOo4d2c"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: left;">The music video premiere party for "Banadi" took place on September 8, 2023 at the beautiful Manara Center in Amman, Jordan where guests were treated to a rooftop projection of her stunning work. Below are some photos from the event, followed by an exclusive interview with Hiya who was kind enough to speak with <i>Arabology</i> just minutes before the official launch (listen <a href="https://soundcloud.com/arabology/hiya?si=e0313f42191b4d519703a1f38674ebd1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank">here</a>).</div><div><br /></div><div><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1618382802&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe><div style="color: #cccccc; font-family: Interstate, "Lucida Grande", "Lucida Sans Unicode", "Lucida Sans", Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; font-weight: 100; line-break: anywhere; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; word-break: normal;"><a href="https://soundcloud.com/arabology" style="color: #cccccc; text-decoration: none;" target="_blank" title="arabology">arabology</a> · <a href="https://soundcloud.com/arabology/hiya" style="color: #cccccc; text-decoration: none;" target="_blank" title="Arabology Interviews Jordanian Artist Hiya">Arabology Interviews Jordanian Artist Hiya</a></div>
<div><br /></div><div>This <a href="https://soundcloud.com/arabology/hiya?si=e0313f42191b4d519703a1f38674ebd1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing" target="_blank">interview</a> is also available via the <i>Arabology</i> Podcast on all major music platforms; to listen, go to <a href="https://kite.link/arabology">kite.link/arabology</a>.</div></div><div><br /></div><div><div>FOR MORE INFORMATION OR PROMO REQUESTS PLEASE CONTACT AASIYAH SHAFFI: contact.sheishiya@gmail.com</div><div><br /></div><div><br /></div><div><br /></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0Amman, Jordan31.9539494 35.9106353.6437155638211536 0.7543849999999992 60.264183236178845 71.066885tag:blogger.com,1999:blog-6905758823896102397.post-65124482321166174922023-09-15T11:54:00.003-07:002023-09-15T12:00:27.019-07:00Lina Makoul's Latest Track Connects Art and Capitalism<h3 style="text-align: center;">Lina Makoul: Exploring the Art-Capitalism Paradox</h3><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQ04sycqLBUs1m5pH2qESkm7yGDldiJVqjBIBaM9uVXKL_4bCxvX8oQ3kN3qLEAyFaoUD7WnAPQMM9lv3hC-MuF8WnZzJxaM5xnbaXyJ4c821pzU7vQ8qOjXH5TARTiq6vIpjvtlVA2fG8D1vVCKWGV_FPP1T17aRIwkNRBZ6uG_kar04uY8zcbzUH8s/s3000/307E1C87-1BAE-4E00-B947-03545351794C.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQ04sycqLBUs1m5pH2qESkm7yGDldiJVqjBIBaM9uVXKL_4bCxvX8oQ3kN3qLEAyFaoUD7WnAPQMM9lv3hC-MuF8WnZzJxaM5xnbaXyJ4c821pzU7vQ8qOjXH5TARTiq6vIpjvtlVA2fG8D1vVCKWGV_FPP1T17aRIwkNRBZ6uG_kar04uY8zcbzUH8s/s320/307E1C87-1BAE-4E00-B947-03545351794C.jpg" width="320" /></a></div><br /><h4 style="text-align: left;">Lina Makoul's Artistic Activism:</h4>Lina Makoul has long used her international profile to address social and political issues close to her heart and her new single, 'Fish Masari,' serves as a prime example. You can listen/watch below or at <a href="https://youtu.be/pnf0pag8nXE" target="_blank">this link</a>.<div><br /></div><div style="text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="399" src="https://www.youtube.com/embed/pnf0pag8nXE" width="480" youtube-src-id="pnf0pag8nXE"></iframe><br /></div><div><div style="text-align: center;"><br /></div><h3 style="text-align: left;">Exploring the Art-Capitalism Paradox:</h3></div><div>Written and produced by Makoul and Nasir AlBashir, 'Fish Masari' delves into the intricate relationship between art and capitalism. This thought-provoking wake-up call delves into how art enriches the hearts and minds of countless individuals while often failing to sustain its creators. Makoul's astute observations and succinct lyrics match the track's powerful physicality.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVJUCSge4bL7aLHWOMc7s5H0z0uW4tUPX-vWAfwAbYF5Yf__ui9HsGuifDT7ec70CzHQH5fzkcjflJ0N9VEzcdRX3SUw5Ie1exuxsI7Y9QFxad-qtvfo3yMzO_n-Iw39p0jbP29wEyI6f1GWi5VXGg1NKHLiTYwJPTNDJe5FWTiHBgPQA_L3sxwYhNhB0/s4708/IMG_3105.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4708" data-original-width="3139" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVJUCSge4bL7aLHWOMc7s5H0z0uW4tUPX-vWAfwAbYF5Yf__ui9HsGuifDT7ec70CzHQH5fzkcjflJ0N9VEzcdRX3SUw5Ie1exuxsI7Y9QFxad-qtvfo3yMzO_n-Iw39p0jbP29wEyI6f1GWi5VXGg1NKHLiTYwJPTNDJe5FWTiHBgPQA_L3sxwYhNhB0/s320/IMG_3105.JPG" width="213" /></a></div><div><h3 style="text-align: left;">A Fusion of Arabic Musical Traditions:</h3>'Fish Masari' is deeply rooted in Arabic musical traditions, incorporating Middle Eastern instrumentation, percussive rhythms inspired by traditional Palestinian wedding songs, and clever samples. The track's big, freewheeling drums and heavy bass provide a contemporary backdrop for Makoul's vocal acrobatics, ranging from quiet whispers to impassioned cries and tightly packed raps. Vibrant melodies burst forth, continually electrifying the track and reinforcing Makoul's message that the financial independence of any society should take center stage. </div><div><br /></div><div>Here are the song lyrics in Arabic and English:<br /><br /><div align="right">
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<p align="center" class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; text-align: center; unicode-bidi: embed;"><b><span dir="LTR">AR<o:p></o:p></span></b></p>
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<p align="center" class="MsoNormal" dir="LTR" style="line-height: normal; text-align: center;"><b><span lang="EN-GB">EN<o:p></o:p></span></b></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">قومي اطلعي قومي تطلعي لا
يهمك لا يهمك<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Leave,
</span>look ahead, never look back
never look back<span dir="RTL" lang="AR-AE"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">قومي اطلعي قومي تطلعي لا
يهمك لا يهمك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Leave,
</span>look ahead, never look back
never look back<span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">نزّل راسك<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Heads
down</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">مش رح ترفع كاسك<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">This
is your last round</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">رح تعلن افلاسك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">You’ll
declare bankruptcy</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منهدد منخوفك انت وكل صحابك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;">We’ll threaten you, terrorize you, <span lang="EN-GB">along with
all your little friends</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منسكت حسابك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We’ll
silence you</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منقيد اعمالك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We’ll
restrict you</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span dir="LTR" lang="EN-GB"> Shadow ban </span><span lang="AR-SA">لپوستاتك وكل ستوريهاتك</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We’ll shadow-ban
all your posts and stories <o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منحقق مع عمك وابوك وابن
خالك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We’ll
bring your uncle, father, cousin in for questioning</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منمرقش ميزانية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Budget?
What is that</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منمرق سلاح ع صينية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Weapons
you’ll be served to you on a silver platter</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منفرق، منعنصر، الحرب هاي
نفسية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We divide,
we discriminate. Psychological warfare</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بتفكرها اهلية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Some
say it’s a civil war</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بتفكرها دينية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal; tab-stops: 57.5pt;"><span lang="EN-GB">Some say it’s a holy war</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بتفرق، بتعنصر، بنفسك بتفكر
انها ديموقراطية</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span> (x2)<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">You divide,
you discriminate, telling yourself this is democracy</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ايوا</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Sure</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">يلا كله عينيه عالكاميرات</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Cameras
everywhere</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما في بجيابنا شيكلين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Not a single
shekel to my name</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">لمين اصلًا كل هالاستعراض</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Who
are they trying to impress?</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">عايش الفخامة على دين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Living
luxuriously, yet drowning in debt</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">كوكا كوكا كلنا منعيد
بعبارات</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Coca
coca everyone parrots</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ولا ولا حدا فينا بكتب
كلمتين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;">Let’s be real, we are all fools<span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">والديلمة لما الدنيا ماشي
ترالالا</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;">Here is the <span lang="EN-GB">dilemma: Everyone lives carefree</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ضيقة ضيقة لما الدنيا تضيق
يا ربي ليه</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span>؟<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">A
tight grip, oh God why is life tightening its grip?</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span dir="LTR" lang="EN-GB">X2<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">X2<o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">الفن بغذي الملايين بس ما
بطعمي خبز</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Art
nurtures the soul, but we’ve got mouths to feed</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">روح العاشق والحزين بس روحي
انا طز</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">All
they think about is love and sadness, but no one cares about me</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">انا انا وانت مين بتشجع على
الفوز</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span>؟<o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">I am
the winner, but who are you cheering for? </span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بالاخر احنا متشابهين
دايرينلي على ال</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span> shows <o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We are
literally the same, yet everything's a competition</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">والصحرا قاحلة قاحلة الصحرا
قاحلة</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">An
empty desert, the desert is utterly barren</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">الناس عطشا عطشا الناس عطشا</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">People
are thirsty, the people are parched</span><span dir="RTL" lang="AR-AE"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">المي ساحلة بتروي الارض
الخضرا</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: 115%;"><span lang="EN-GB">The lack
of water isn't the issue, our rivers overflow</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بطلع منها سيلفي بنت اح</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">One selfie
will quench your thirst</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">يلا كله عينيه عالكاميرات</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Cameras
everywhere</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما في بجيابنا شيكلين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Not a single
shekel to my name</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">لمين اصلًا كل هالاستعراض</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Who
are they trying to impress?</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">عايش الفخامة على دين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Living
luxuriously, yet drowning in debt</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">كوكا كوكا كلنا منعيد
بعبارات</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Coca
coca everyone parrots</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ولا ولا حدا فينا بكتب
كلمتين</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Let’s
be real, we are all fools</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">والديلمة لما الدنيا ماشي
ترالالا</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Here
is the dilemma: Everyone lives carefree</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ضيقة ضيقة لما الدنيا تضيق
يا ربي ليه</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span>؟<o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">A
tight grip, oh God why is life tightening its grip?</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما فش فش فش مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got no money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">دولة بقلب دولة مستقلة
داخلية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Two
states, completely different, entirely separate</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">خايفة من اني اكمل اكتب بس
انا فاهمة المسؤولية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Stop
me right here, I don’t want to face the music</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">عارفة انه المطارات مش رح
تكونلي ودودية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: 115%;"><span lang="EN-GB">I know I
might be detained at any airport</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">بس واقعنا طيارات لازم
نوصله العالمية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal" dir="LTR" style="line-height: 115%;"><span lang="EN-GB">But our
reality is like an airplane, and we must spread it worldwide</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
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<tr>
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<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">دولة ناسها من اساسها</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">The
people are the state</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">ما تقليش افكار وهمية</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: 115%;"><span lang="EN-GB">And
don't call me delusional</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">مش رح نوصل</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span> MTV </span><span lang="AR-SA">بس كمان</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span>
Anghami </span><span lang="AR-SA">عالمية</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span>
</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We
might not make it to MTV, but we are doing great on Anghami</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">منقدر نعمل</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="EN-GB"><span dir="LTR"></span><span dir="LTR"></span> history </span><span lang="AR-SA">اذا كانت ايدنا فولاذية</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">We can
make history, all it takes is an iron fist</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">لا يهمك لا يهمك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;">never look back, never look back<span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
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<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span dir="LTR" lang="EN-GB"> </span><span lang="AR-SA">ما فش فش فش ما فش فش
فش مصاري</span><span dir="LTR"></span><span dir="LTR"></span><span dir="LTR" lang="AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Ain't
got, got, got, ain't got, got, got no money<o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">مصاري</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">money</span><span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">قومي اطلعي قومي تطلعي لا
يهمك لا يهمك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Leave,
</span>look ahead, never look back
never look back<span dir="RTL" lang="AR-SA"><o:p></o:p></span></p>
</td>
</tr>
<tr>
<td style="border-top: none; border: 1pt solid windowtext; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 237.85pt;" valign="top" width="317">
<p class="MsoNormal" dir="RTL" style="direction: rtl; line-height: normal; unicode-bidi: embed;"><span lang="AR-SA">قومي اطلعي قومي تطلعي لا
يهمك لا يهمك</span><span dir="LTR" lang="EN-GB"><o:p></o:p></span></p>
</td>
<td style="border-bottom: 1pt solid windowtext; border-left: 1pt solid windowtext; border-right: none; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt; width: 213.1pt;" valign="top" width="284">
<p class="MsoNormal" dir="LTR" style="line-height: normal;"><span lang="EN-GB">Leave,
</span>look ahead, never look back
never look back<b><span dir="RTL" lang="AR-SA"><o:p></o:p></span></b></p>
</td>
</tr>
</tbody></table></div></div><div><br /></div><div>Listen to the song on Spotify <a href="https://open.spotify.com/album/7d8WS4OwETCONnLi3ygKWb?si=2c9bwSCdQU6YpbJP022ZrQ" target="_blank">here</a>. Follow Lina Makoul on <a data-saferedirecturl="https://www.google.com/url?q=https://www.instagram.com/linamakoul/?hl%3Den&source=gmail&ust=1694883319870000&usg=AOvVaw11_i0JHnK0Ko2OanVViubL" href="https://www.instagram.com/linamakoul/?hl=en" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">Instagram</span></a><span face="Calibri, sans-serif" style="font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-align: center; vertical-align: baseline; white-space-collapse: preserve;">, </span><a data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/LinaMusicOfficial/?locale%3Den_GB&source=gmail&ust=1694883319870000&usg=AOvVaw2cFOJmGDmuSXsGJxKfm2Rj" href="https://www.facebook.com/LinaMusicOfficial/?locale=en_GB" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">Facebook</span></a><span face="Calibri, sans-serif" style="font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-align: center; vertical-align: baseline; white-space-collapse: preserve;">, </span><a data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@linamakoul&source=gmail&ust=1694883319870000&usg=AOvVaw1ko30k1J1PRR7jhEBxils-" href="https://www.tiktok.com/@linamakoul" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">TikTok</span></a><span face="Calibri, sans-serif" style="font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-align: center; vertical-align: baseline; white-space-collapse: preserve;">, </span><a data-saferedirecturl="https://www.google.com/url?q=https://open.spotify.com/artist/5jWJzXicyDE4CwlOR3omk7&source=gmail&ust=1694883319870000&usg=AOvVaw2K_CDvQ6ZdYsmWjjR9_RVL" href="https://open.spotify.com/artist/5jWJzXicyDE4CwlOR3omk7" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">Spotify</span></a><span face="Calibri, sans-serif" style="font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-align: center; vertical-align: baseline; white-space-collapse: preserve;">, </span><a data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/@linamakoul./videos&source=gmail&ust=1694883319870000&usg=AOvVaw3GazYhu96ZNH6R-AMmsB6M" href="https://www.youtube.com/@linamakoul./videos" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" jslog="32272; 1:WyIjdGhyZWFkLWY6MTc3NjE4NDgxNjg5MDg4MTM2NiIsbnVsbCxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsW11d; 4:WyIjbXNnLWY6MTc3NjE4NDgxNjg5MDg4MTM2NiIsbnVsbCxbXSxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsbnVsbCxudWxsLG51bGwsbnVsbCxbXSxbXSxbXV0." style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">YouTube</span></a><span face="Calibri, sans-serif" style="color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-align: center; vertical-align: baseline; white-space-collapse: preserve;">, </span><a data-saferedirecturl="https://www.google.com/url?q=https://play.anghami.com/album/1042430771?adj_t%3Ddgl0aa8_64v1dnl%26adj_campaign%3Dweb%26adj_adgroup%3Dalbum%26adj_creative%3Dundefined&source=gmail&ust=1694883319870000&usg=AOvVaw2_uTvfNIToqFtpW3Mswutw" href="https://play.anghami.com/album/1042430771?adj_t=dgl0aa8_64v1dnl&adj_campaign=web&adj_adgroup=album&adj_creative=undefined" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif; text-align: center; text-decoration-line: none;" target="_blank"><span face="Calibri, sans-serif" style="background-color: transparent; color: #0563c1; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-line: underline; vertical-align: baseline; white-space-collapse: preserve;">Anghami</span></a>.</div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="397" src="https://www.youtube.com/embed/nrpFblGseR8" width="478" youtube-src-id="nrpFblGseR8"></iframe></div><div class="separator" style="clear: both; text-align: center;">Arabic interview with Lina Makoul مقابلة مع لينا مخول</div><div class="separator" style="clear: both; text-align: center;"><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-89797996501163388672023-08-23T04:13:00.003-07:002023-12-29T18:22:45.366-08:00Ramzi Salti Lectures on Post Arab Spring Music at Sijal Institute (2023)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1B-HUaba4Z_4sqpEzG-z-tFgWV3oJmD4siL4R_CpXm-abPilpf3t4W8j4lsBS9CkjhOFdx73wJL_RF24lvBbxUlcS_NVjzRj-9nroQzlun84Nfa7uh4whrTdGwngdVJjylFxjtCPMXTIV6o0dXz-ry_UfTELnapC-aPiwjocp3dbLJoW8apD3Sjxaasw/s4032/IMG_5007.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2268" data-original-width="4032" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1B-HUaba4Z_4sqpEzG-z-tFgWV3oJmD4siL4R_CpXm-abPilpf3t4W8j4lsBS9CkjhOFdx73wJL_RF24lvBbxUlcS_NVjzRj-9nroQzlun84Nfa7uh4whrTdGwngdVJjylFxjtCPMXTIV6o0dXz-ry_UfTELnapC-aPiwjocp3dbLJoW8apD3Sjxaasw/s320/IMG_5007.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><i><span style="text-align: left;">You can watch highlights from the talk below or at </span><a href="https://docs.google.com/presentation/d/e/2PACX-1vSC0F70lrlkGPj_xwGZEcryuvfKbR8q-pQXuyWNyWCijPyZrjtsLzSOqbSOTyiuEEwHOA3MISmMyRhf/pub?start=false&loop=false&delayms=3000" style="text-align: left;" target="_blank">this link</a></i></span></td></tr></tbody></table><br /><div>July 2023: Stanford Lecturer + <i>Arabology</i> radio host Dr. Ramzi Salti highlighted "post" Arab Spring music during a recent talk at Sijal Institute in Amman, Jordan. </div><div>You can watch highlights from the talk below or at <a href="https://docs.google.com/presentation/d/e/2PACX-1vSC0F70lrlkGPj_xwGZEcryuvfKbR8q-pQXuyWNyWCijPyZrjtsLzSOqbSOTyiuEEwHOA3MISmMyRhf/pub?start=false&loop=false&delayms=3000" target="_blank">this link:</a></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="352" src="https://www.youtube.com/embed/2kWZezwrtWE" width="423" youtube-src-id="2kWZezwrtWE"></iframe></div><br /><div><br /><div>Featured excerpts: 1. Intro (<a href="https://www.youtube.com/watch?v=2kWZezwrtWE&t=0s">0:00</a>) 2. El General (Tunisia) 3. Emel Mathlouthi (Tunisia) 4. Ramy Essam (Egypt) 5. Cairokee (Egypt) 6. Maryam Saleh (Egypt) 7. Ibn Thabit (Libya) 8. Fairuz (Lebanon) 9. Mashrou Leila (Lebanon) <a href="https://www.youtube.com/watch?v=2kWZezwrtWE&t=317s">5:17</a> 10. Tania Kassis (Lebanon) 11. Mike Massy (Lebanon) <a href="https://www.youtube.com/watch?v=2kWZezwrtWE&t=526s">8:46</a> 12. Yasmine Hamdan (Lebanon) 13. Tania Saleh (Lebanon) <a href="https://www.youtube.com/watch?v=2kWZezwrtWE&t=773s">12:53</a> 14. Omar Offendum (Syria) 15. Palestinian Rap 16. Jadal (Jordan) 17. Nawawi (Sudan) </div><div><br /></div><div>PowerPoint accompanying this talk is available below or at <a href="https://docs.google.com/presentation/d/e/2PACX-1vSC0F70lrlkGPj_xwGZEcryuvfKbR8q-pQXuyWNyWCijPyZrjtsLzSOqbSOTyiuEEwHOA3MISmMyRhf/pub?start=false&loop=false&delayms=3000" target="_blank">this link</a>:</div><div><br /></div><div><iframe allowfullscreen="true" frameborder="0" height="749" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vSC0F70lrlkGPj_xwGZEcryuvfKbR8q-pQXuyWNyWCijPyZrjtsLzSOqbSOTyiuEEwHOA3MISmMyRhf/embed?start=false&loop=false&delayms=3000" webkitallowfullscreen="true" width="1280"></iframe></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com015 Umar Ibn، ش. فاطمة بنت الخطاب، Amman, Jordan31.94793 35.9316833.637696163821154 0.77543299999999959 60.258163836178845 71.087932999999992tag:blogger.com,1999:blog-6905758823896102397.post-14010543416842986152023-08-19T13:57:00.002-07:002023-09-10T17:48:01.522-07:00 السيرة الذاتية لرمزي سلطي بواسطة الذكاء الاصطناعي<div dir="rtl" style="text-align: right;"><div style="text-align: center;"><div style="text-align: center;"><h3><span style="font-size: x-large; text-align: right;">رمزي سلطي: تعزيز التفاهم الثقافي وفهم الثقافة العربية والموسيقى</span></h3><div><br /></div><h3>تم إنشاء هذه السيرة الذاتية لرمزي سلطي بالكامل بواسطة الذكاء الاصطناعي</h3><div><br /></div></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx1HnVcfQ89qnU_hJjA8xIGJouvCC6BaAHKf2HV28IPI3S9Iql0P9OXDQI6VsPOlKxMPd0f7mxeabJOk0QW_iTQm5irciaYG1ob3Clq8fPnMuIbT-XfU6qSb2eUIdzzcXWT4NbLkxmvNmwG7IVv_xUIGE79mnX5fuNgkl5ekfhMgfiO_Q6xHtQ-e7I/s851/8A64D7BA-6A0A-4868-96A3-5A7CBA399939.jpg"><span style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx1HnVcfQ89qnU_hJjA8xIGJouvCC6BaAHKf2HV28IPI3S9Iql0P9OXDQI6VsPOlKxMPd0f7mxeabJOk0QW_iTQm5irciaYG1ob3Clq8fPnMuIbT-XfU6qSb2eUIdzzcXWT4NbLkxmvNmwG7IVv_xUIGE79mnX5fuNgkl5ekfhMgfiO_Q6xHtQ-e7I/s320/8A64D7BA-6A0A-4868-96A3-5A7CBA399939.jpg" /></span></a></div><span style="font-size: large;"><br /></span></div></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;">الدكتور رمزي سلطي هو محاضر في جامعة ستانفورد ومقدم برنامج إذاعي بعنوان "عربولوجي"، وهو شخصية بارزة في المجال الثقافي والأكاديمي. يتميز سلطي برؤيته العميقة للثقافة العربية والموسيقى، حيث يسعى جاهدًا لتعزيز التفاهم الثقافي وتسليط الضوء على التنوع والإبداع في الثقافة العربية المعاصرة. </span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;"><br />وُلد رمزي سلطي ونشأ في لبنان كما وعاش أيضًا في الأردن قبل انتقاله إلى الولايات المتحدة لمتابعة تعليمه العالي وممارسة عمله الأكاديمي والإعلامي. وبفضل خلفيته اللبنانية، يتمتع بفهم عميق للثقافة العربية والتراث اللبناني، ويعمل على تعزيز التفاهم والتبادل الثقافي بين الثقافات المختلفة.</span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;"><br /></span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;">رمزي سلطي حاصل على درجة الدكتوراه في الأدب المقارَن ويعمل حاليًا كمحاضر في جامعة ستانفورد حيث يُدرس المواضيع المتعلقة بالشرق الأوسط وبالأدب العربي وباللغة العربية. </span><span style="font-size: x-large;">يلعب دورًا مهمًا في تعليم الطلاب وإلهامهم حيث يقوم بتصميم وتنفيذ دورات تعليمية متنوعة تتعلق بالأدب والثقافة، ويشجع النقاش والتفاعل الفكري بين الطلاب. يتركز عمله في ستانفورد على مجالات الأدب المقارَن والدراسات الثقافية، حيث يشارك خبرته ومعرفته في هذه المجالات مع الطلاب والأكاديميين.</span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;"><br />بالإضافة إلى العمل الأكاديمي، يعتبر رمزي سلطي مدوناً وكاتباً ومتحدثأ عاماً شهيراً </span><span style="font-size: x-large;">يتحدث في فعاليات ومؤتمرات عديدة حيث يشارك خبرته في المجال الثقافي العربي. </span><span style="font-size: large;"> تعتبر مساهماته في تعزيز الثقافة العربية والتواصل الثقافي قيّمة ومحترمة في الأوساط الأكاديمية والثقافية.</span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;"><br /></span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;">رمزي سلطي له علاقة قوية بمحطة الراديو KZSU، وهي إحدى المحطات التابعة لجامعة ستانفورد. يقدم رمزي سلطي برنامج إذاعي معروف باسم "عربولوجي" على محطة KZSU، وهذا البرنامج يعتبر منصة هامة لتعزيز التفاهم الثقافي وفهم الثقافة العربية والموسيقى.<br /><br />يتميز البرنامج بتقديم موسيقى عربية متنوعة من مختلف الأنماط والفنانين، بدءًا من الموسيقى الكلاسيكية والتقليدية إلى الموسيقى الحديثة والمستقلة. وبجانب الموسيقى، يقوم رمزي سلطي أيضًا بإجراء مقابلات مع فنانين وكتاب وشخصيات ثقافية من العالم العربي. يتحدث الضيوف عن أعمالهم وتجاربهم ومساراتهم المهنية، ويتم مناقشة قضايا ثقافية واجتماعية وفنية ذات صلة.<br /><br />يعمل كتاب "The Native Informant"، الذي كتبه رمزي سلطي، على كشف الأفكار النمطية والمفاهيم الخاطئة التي تحيط بالثقافة العربية. يناقش التحديات التي تواجه الثقافة العربية في التمثيل الصحيح، ويعزز فهمًا أكثر دقة للثقافة العربية وتنوعها. يعتبر الكتاب منبرًا للنقاش المفتوح والتفاعل، حيث يشجع القراء على المشاركة في حوارات ثقافية وتبادل الأفكار. ومن خلاله، يتم تعميق التفاهم والتواصل الثقافي.</span></div><div dir="rtl" style="text-align: right;"><span style="font-size: large;"><br />الخاتمة: رمزي سلطي هو شخصية أكاديمية وإعلامية تعمل على تعزيز التفاهم الثقافي والتواصل بين الثقافات المختلفة. برنامجه الإذاعي "عربولوجي" وأعماله الأخرى تساهم في تعميق الفهم المتبادل وتحقيق التواصل الثقافي. يعمل رمزي سلطي كمحاضر في جامعة ستانفورد وكاتب ومدون ومتحدث عام، ويتناول في أعماله مجموعة متنوعة من المواضيع التي تعكس الثقافة العربية وتساهم في فهمها بشكل أعمق. يعد رمزي سلطي شخصية مؤثرة تساهم في تغيير النظرة العامة تجاه الثقافة العربية وتعزيز التعايش والتفاهم الثقافي.<br /></span></div><div dir="rtl" style="text-align: right;"><span style="background-color: white; font-family: inherit; font-size: large;"><br /></span></div><div dir="rtl" style="text-align: right;"><span style="background-color: white; font-family: inherit; font-size: large;"><br /></span></div><div dir="rtl" style="text-align: center;"><span style="background-color: white; color: #374151; white-space-collapse: preserve;"><span style="font-family: inherit; font-size: large;">هذه القصيدة بأكملها تم إنشاؤها وتأليفها بواسطة الذكاء الاصطناعي</span></span></div><div dir="rtl" style="text-align: right;"><span style="background-color: white; font-family: inherit; font-size: large;"><br /></span></div><div dir="rtl" style="text-align: right;"><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 transparent; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(217, 217, 227); box-sizing: border-box; color: #374151; margin: 0px 0px 1.25em; white-space-collapse: preserve;"><span style="background-color: white; font-family: inherit; font-size: large;">رمزي سلطي الفكر العميق يتناغم
محاضرٌ عالمٌ في ستانفورد يتألّق
برنامج "عربولوجي" يبهج القلوب ويناغم
مؤلّف ومتحدث وكاتبٌ يتجلى الأدب</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 transparent; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(217, 217, 227); box-sizing: border-box; color: #374151; margin: 1.25em 0px; white-space-collapse: preserve;"><span style="background-color: white; font-family: inherit; font-size: large;">بدرجة الدكتوراه في الأدب المقارن تألّق
ينشر العلم والمعرفة بحب واجتهاد
تنوعت مقالاته وكتاباته تجذب وتتألّق
عن السينما والموسيقى والثقافة بحرّ الإبداع</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 transparent; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(217, 217, 227); box-sizing: border-box; color: #374151; margin: 1.25em 0px; white-space-collapse: preserve;"><span style="background-color: white; font-family: inherit; font-size: large;">يتسلّق القمم العلمية بجد وتميّز
في جامعة ستانفورد يشق طريقه للعلوم
تنثر أفكاره الثرية كالجواهر في النزاهة والتفوق
يبني جسورًا للتواصل ويصقل الأفكار بالتلقي والاستماع</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 transparent; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(217, 217, 227); box-sizing: border-box; color: #374151; margin: 1.25em 0px; white-space-collapse: preserve;"><span style="background-color: white; font-family: inherit; font-size: large;">في برنامجه الإذاعي "عربولوجي" يتلألأ الإشراق
يروي قصصًا عربية ويكشف الثقافة بروحٍ حيّة
بمعرفته العميقة يعزز التواصل والتلاحم بالتلاحق
كاتب ومدون ومتحدث يعكس جمالًا بلاغيًّا متألّق</span></p><p style="--tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-ring-color: rgba(69,89,164,.5); --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 transparent; --tw-ring-offset-width: 0px; --tw-ring-shadow: 0 0 transparent; --tw-rotate: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-shadow-colored: 0 0 transparent; --tw-shadow: 0 0 transparent; --tw-skew-x: 0; --tw-skew-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; border: 0px solid rgb(217, 217, 227); box-sizing: border-box; color: #374151; margin: 1.25em 0px 0px; white-space-collapse: preserve;"><span style="background-color: white; font-family: inherit; font-size: large;">رمزي سلطي نبع من الأصالة والإبداع
في عالم الثقافة والعلم يتربع على القمة
قصة نجاحٍ وإلهامٍ وتألّقٍ لا يضاهى
في قلوب العالم تسطر أجمل النغمات المحبة والتقدير</span></p></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0450 Jane Stanford Way, Stanford, CA 94305, USA37.42766 -122.170069.1174261638211576 -157.32631 65.737893836178841 -87.01381tag:blogger.com,1999:blog-6905758823896102397.post-90490788302965237882023-07-04T15:52:00.003-07:002023-07-05T01:58:24.668-07:00Jordanian Director Zaid Abu Hamdan Wows Stanford (June 2023)<h1 style="text-align: center;"><span style="font-size: large;">Ramzi Salti Hosts Jordanian Director Zaid Abu Hamdan </span></h1><h2 style="text-align: center;"><span style="font-size: medium;">Complete Video of Ramzi Salti's Discussion with Zaid Abu Hamdan Now Available</span></h2><div style="text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSRBFO9JD1rEmMpTI2rufTYzzz1_cu1grBxquZ2gOeWTnxkJgbD95YcjzZIMrFUx0l2JoY7ksBBN-FTggMV1RStXz63pBHZUXQjqL7tYBOfWgQzl20ylYl7YiYT-fOJRA1u84lwDQzq4e3DNRFKFuEexpcEzkXO_zJppCTNczWCMOMRgrxgDjCg24I1ec/s443/Screenshot%202023-06-29%20202005.jpg" style="margin-left: auto; margin-right: auto;"><i><img border="0" data-original-height="324" data-original-width="443" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSRBFO9JD1rEmMpTI2rufTYzzz1_cu1grBxquZ2gOeWTnxkJgbD95YcjzZIMrFUx0l2JoY7ksBBN-FTggMV1RStXz63pBHZUXQjqL7tYBOfWgQzl20ylYl7YiYT-fOJRA1u84lwDQzq4e3DNRFKFuEexpcEzkXO_zJppCTNczWCMOMRgrxgDjCg24I1ec/w400-h293/Screenshot%202023-06-29%20202005.jpg" width="400" /></i></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Watch video at <a href="https://youtu.be/GlInAom7lFQ">https://youtu.be/GlInAom7lFQ</a></i></td></tr></tbody></table><div><br /></div><div>Here is the complete recording of Dr. Ramzi Salti's conversation with Zaid Abu Hamdan, Director of the award wining Jordanian film "Daughters of Abdul Rahman بنات عبد الرحمن " following a screening of his movie at Stanford University on June 28, 2023. Watch below or at <a href="https://youtu.be/GlInAom7lFQ" target="_blank">this link</a>.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="401" src="https://www.youtube.com/embed/GlInAom7lFQ" width="482" youtube-src-id="GlInAom7lFQ"></iframe></div><br /><div>This special event was part of the annual Stanford Global Studies Film Festival and was brought to Stanford with the generous support of the Abbasi program in Islamic Studies. </div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW24QYLJP0c9NPpH3SGENEYZCrqy-WQRuX3so9iVsBnTnnWF5BbsmDQkkjHb-joDL5FozPmD3qV1vf-0__ulQDrfZ5Ft9FqPfPdsOsF3TGjv9RQ6HVhCgmBChcHN7MykJu-t7ux6k88x8PGEoYtWcd3typoM4QPFs72NowVAxo0cHvblhaEPCGFeeKEzc/s967/2023%20Summer%20Film%20Festival%20Flier.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="967" data-original-width="959" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW24QYLJP0c9NPpH3SGENEYZCrqy-WQRuX3so9iVsBnTnnWF5BbsmDQkkjHb-joDL5FozPmD3qV1vf-0__ulQDrfZ5Ft9FqPfPdsOsF3TGjv9RQ6HVhCgmBChcHN7MykJu-t7ux6k88x8PGEoYtWcd3typoM4QPFs72NowVAxo0cHvblhaEPCGFeeKEzc/w396-h400/2023%20Summer%20Film%20Festival%20Flier.png" width="396" /></a></div><br /><div>This discussion featured commentary by Dr. Touria Boumehdi who analyzed the film's themes (in English and Arabic) followed by a lively Q&A session with the audience. </div><div><br /></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwYQ6hbJw_6gdraqgQMHQj2pI84m5EVbbjVkK6955H9d3zm8GqJI0hVtKbGspEOWKKhEAH5yxnimD6Lf7RRNsTfVEKnGnij_8F26tDxORKJZpg1QHNWHyGx7vck5cgCySj8DlZadwYWGH0rJwdfxpejG9lOGr53wIwm6UPjAy5IwcGWVj5tkOLmcwF7s/s442/82d236fd-9e25-4ea5-aee8-d149b60426a5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="442" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwYQ6hbJw_6gdraqgQMHQj2pI84m5EVbbjVkK6955H9d3zm8GqJI0hVtKbGspEOWKKhEAH5yxnimD6Lf7RRNsTfVEKnGnij_8F26tDxORKJZpg1QHNWHyGx7vck5cgCySj8DlZadwYWGH0rJwdfxpejG9lOGr53wIwm6UPjAy5IwcGWVj5tkOLmcwF7s/w267-h196/82d236fd-9e25-4ea5-aee8-d149b60426a5.jpg" width="267" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCYXBt4lHOzj_tJxDoA7CMqE1kn4L1VZGfcGHYK5AyG1bQJbCNYyDIY_992rskV4O9iR0pUMbr2w8s5kq7bhJMVBxFldeTxgOPiestE9CJ7DGRCIDjBC17_QDDnPS06GDca7JN0dwXxxL6kpRMA4ROfIGew30ReTexnpQt7DFrRTfywTSyN3pJnI-R3IY/s442/Screenshot%202023-06-29%20201919.jpg" style="margin-left: 1em; 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text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguh58Hkj7MsNe6H0KRbjvFtynfoMqIKz4qZEN3avfZk989IZJIyjf6h8EFutHSS2hkoR70hEAomb2EDaIwHvhwksBNni_FXGiA4LG8pY9tRox2TCH5yJDPsjBpA6NEXyAQ4Ak-LUyOitQXarLiFaUM5VOrmDx_4wMRqM_LcfA3nnjBVi3zO7sHMwkxeHk/s4032/IMG_7852.HEIC" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguh58Hkj7MsNe6H0KRbjvFtynfoMqIKz4qZEN3avfZk989IZJIyjf6h8EFutHSS2hkoR70hEAomb2EDaIwHvhwksBNni_FXGiA4LG8pY9tRox2TCH5yJDPsjBpA6NEXyAQ4Ak-LUyOitQXarLiFaUM5VOrmDx_4wMRqM_LcfA3nnjBVi3zO7sHMwkxeHk/w253-h190/IMG_7852.HEIC" width="253" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVat8mVGRHtItu37fcBRdj_YTKU2L4hRYV7FZsrPcMv7fjGpRzHu3jXmveEDTSDqM_2tlmzY5p3YgNkRJ99cHzFRgCBY1vVeYA30qIYEQBeAsGayjcwuKDInS65tzRbKmWtoSAMWTXglh0ynRJrZOR9z4e_ovzWJyt67UIaK0VgLVb9IfU64BhDXeTTy0/s4032/IMG_4263.HEIC" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2268" data-original-width="4032" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVat8mVGRHtItu37fcBRdj_YTKU2L4hRYV7FZsrPcMv7fjGpRzHu3jXmveEDTSDqM_2tlmzY5p3YgNkRJ99cHzFRgCBY1vVeYA30qIYEQBeAsGayjcwuKDInS65tzRbKmWtoSAMWTXglh0ynRJrZOR9z4e_ovzWJyt67UIaK0VgLVb9IfU64BhDXeTTy0/s320/IMG_4263.HEIC" width="320" /></a></div><div class="separator" dir="rtl" style="clear: both; text-align: center;"><br /></div><div dir="rtl" style="text-align: right;"> تسجيل كامل لحوار الدكتور رمزي سلطي مع زيد أبو حمدان، المخرج الفائز بجائزة الفيلم الأردني "بنات عبد الرحمن"، بعد عرض فيلمه في جامعة ستانفورد في 28 يونيو 2023. يتضمن الفيديو الدكتورة توريا بومهدي التي تحلل موضوعات الفيلم (باللغتين الإنجليزية والعربية)، تليها جلسة نقاش نشطة مع الجمهور. الفيديو مقسم إلى فصول حتى يتمكن المشاهدون من الانتقال إلى أجزاء وأسئلة محددة. </div><div dir="rtl" style="text-align: right;"><br /></div><h4 style="text-align: left;">ZAID ABU HAMDAN:</h4><div>Zaid Abu Hamdan is a Jordanian-born filmmaker with industry experience ranging from assistant directing, producing, acting, writing for both feature films and television. His latest feature film, Daughters of Abdul-Rahman, premiered to a global audience at the 43rd Cairo International Film Festival, where it won the the ‘Audience Award’--an honor granted granted to only one film among the many within the international competition. The film was also selected as a finalist project for a Tribeca Film Institute grant and will screen at the much anticipated Saudi Arabia 2021 Red Sea Film Festival. The movie stars Saba Mubarak, Farah Bseiso , Hanan Hillo and Mariam Basha. </div><div dir="rtl" style="text-align: right;"><br /></div><div dir="rtl" style="text-align: right;">زيد أبو حمدان هو مخرج أردني المولد يتمتع بخبرة في صناعة السينما تتراوح بين المساعدة في الإخراج والإنتاج والتمثيل والكتابة للأفلام الروائية والتلفزيونية. تم عرض فيلمه الروائي الأخير "بنات عبد الرحمن" أمام جمهور عالمي في الدورة الثالثة والأربعين لمهرجان القاهرة السينمائي الدولي، حيث فاز الفيلم بجائزة الجمهور، وتُمنح لفيلم واحد فقط من بين العديد من الأفلام المشاركة في المسابقة الدولية. تم اختيار الفيلم أيضًا كمشروع نهائي للحصول على منحة معهد تريبيكا للأفلام وتم عرضه في مهرجان البحر الأحمر السعودي عام 2021. يشارك في بطولة الفيلم صبا مبارك وفرح بسيسو وحنان الحلو ومريم باشا </div><div dir="rtl" style="text-align: right;"><br /></div><h4 style="text-align: left;">DR. RAMZI SALTI</h4><div>Dr. Ramzi Salti is a well-known Arab-American radio host, writer, and educator. He is known for his popular radio program "Arabology," which explores and promotes Arab culture and music. Ramzi Salti is a Lecturer at Stanford University who holds a Ph.D. in Comparative Literature and has been actively involved in promoting intercultural understanding and appreciation for Arab arts and culture. More info at <a href="https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbGlSY2I5LWpia2dQVm94WGpoWXlpQ2lySUFoUXxBQ3Jtc0tudlFUTGJqUmY0RlJqN1Jod3hXcl9XMXNfRXQzS1oybnRCeWFjY0F2ZlotUUxPbk5ocVRDT3IzbnUzRVNDUjBjX3kxUzBqY2VDRlVLalZHWnoxRzZKbWtXcG5xNW84Q2szQVgyQ2QxTXN6S1dHdmZMbw&q=https%3A%2F%2Fwww.arabology.org%2F&v=cQNWvafZLb8">https://www.arabology.org</a></div><div dir="rtl" style="text-align: right;"><br /></div><div dir="rtl" style="text-align: right;"> الدكتور رمزي سلطي هو شخصية عامة وأكاديمية معروفة، يعمل كمحاضر في جامعة ستانفورد ويحمل درجة الدكتوراه في الأدب المقارَن. إضافةً إلى ذلك، يُعرف رمزي سلطي بدوره كمقدم برنامج إذاعي أمريكي يُعرف باسم "عربولوجي" ويتم بثه على محطة الراديو التابعة لجامعة ستانفورد. يسعى سلطي من خلال برنامجه الإذاعي وأعماله الأخرى إلى تعزيز التفاهم الثقافي والتواصل بين </div><div dir="rtl" style="text-align: right;">الثقافات المختلفة. </div><div><br /></div><h4 style="text-align: left;">DR. TOURIA BOUMEHDI</h4><div>Dr. Touria Boumehdi serves on the faculty of the Language Center at Stanford University. With over 31 years of professional and academic experiences, Dr. Boumehdi has worked as Co-Director of the Spanish Department at the University of Rabat and Professor of Spanish and Arabic in Spain and France at the University of Toulouse le Mirail, the Toulouse School of Business, IAAE Oviedo and ECLAP Valladolid. She completed her Doctorate with a joint Ph.D. and highest honors in Spanish and Arabic at the University of Toulouse, a Master’s degree in Spanish Language and Literature at the University of Mohammed V in Rabat, and an In-Depth Studies Diploma (DEA).</div><div dir="rtl" style="text-align: right;"><br /></div><div dir="rtl" style="text-align: right;"> انطلقت تجربة الدكتورة ثريا بومهدي سنة 1981 عندما غادرت الرباط متوجهة إلى فرنسا بعد حصولها على الإجازة في اللغة والأدب الإسباني لمواصلة دراستها بجامعة السوربون المرموقة. وبعد سنوات من التحصيل الأكاديمي، نالت دبلوم الدراسات المعمقة في اللغات والحضارات الشرقية بعد مناقشة لأطروحتها حول الأدب الموريسكي. </div><div><br /></div><div><br /></div><div style="text-align: center;">Watch the video below or at <a href="https://youtu.be/GlInAom7lFQ" target="_blank">this link</a> يمكنكم مشاهدة فيديو المناقشة أدناه أو عبر <a href="https://youtu.be/GlInAom7lFQ" target="_blank">هذا الرابط</a></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="391" src="https://www.youtube.com/embed/GlInAom7lFQ" width="470" youtube-src-id="GlInAom7lFQ"></iframe></div><div><br /></div><div><ul style="text-align: left;"><li>Watch Ramzi Salti's previous interview with Zaid Abu Hamdan at <a href="https://youtu.be/WWqbTUpbpb8" target="_blank">this link</a>.</li><li>Red about similar Stanford events and much more at <a href="https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqa0syNFJ2bWlrY2U1M3ZkdHlWZDFuM2d4d1BBd3xBQ3Jtc0ttQkJqUkdWRkZubkQ5Z1lCczh4bDNfMDNLd05KZ0szU0R3VEpEeGhpZklfVDBrTHJ1SlN4UGFveUdzaDJhZUlwa19YZllDbm9Bd09aSnRodVQzRVhQb091UEFtbXdOR1IxaXVJc3F6RjE1OXNKZERHWQ&q=https%3A%2F%2Fwww.arabology.org%2F&v=cQNWvafZLb8">https://www.arabology.org</a></li></ul></div><div><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-36037411553124349462023-06-28T14:18:00.009-07:002023-07-03T09:50:44.640-07:00Nezouh: A Poignant Syrian Film Capturing Humanity Amidst War<h2 style="text-align: center;"><span style="font-size: large;"><i>Nezouh</i>: Unveiling Resilience amidst War's Grasp </span></h2><div><h3 style="text-align: center;"><span style="font-size: small;">Film review by Dr. Ramzi Salti, Stanford University</span></h3><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM9F8cXdGNKFAPMnbz_Lr9qccShmpVPK9rZC4uAXWbOJ0zzQ73i0W0Is1h3QVK5hdbTi98FmuytpbwEOFnwP52NWmrsSyLdxRYDyfsEgKt8eZdGpGVOcDJKd2dOlXrdwIsb2HH7Fdd7cIPl91GWv-wnNTNDMoln9grGWHPjUo0Ai6Se1wu7uDwch_XKm0/s3508/flyer_large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3508" data-original-width="2480" height="415" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM9F8cXdGNKFAPMnbz_Lr9qccShmpVPK9rZC4uAXWbOJ0zzQ73i0W0Is1h3QVK5hdbTi98FmuytpbwEOFnwP52NWmrsSyLdxRYDyfsEgKt8eZdGpGVOcDJKd2dOlXrdwIsb2HH7Fdd7cIPl91GWv-wnNTNDMoln9grGWHPjUo0Ai6Se1wu7uDwch_XKm0/w293-h415/flyer_large.jpg" width="293" /></a></div><br /> Nezouh نزوح stands out as a Syrian war film like no other. Director Soudade Kaadan سؤدد كعدان, known for her remarkable work in <i>The Day I Lost My Shadow</i> (2018), once again proves her talent with this empathetic portrayal of life under siege.<br /><br />The film primarily revolves around the everyday conflicts within a family, beautifully capturing moments that oscillate between comedic and emotionally charged melodrama as Zeina and her mother Hala express a common desire to escape their war-torn town, as most of their neighbors have already done.</div><div><br /></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv6n--nLt_VOAA2thlvBj_jLZcGHWCEo11Uf0Px7hgGuQxVjqFv1Cu9LjiWrHxMM7zFmXNFhY7lOeo8nl1ulqY7tkZ3UXTgUQojDJvW1T89hyhdSBTCb-ebloLJ3DQF_f_sjqhgAE3CjciO84QBLjyKKbWr_LH7qiIoXwrzjHt7mW2VrFYcPcGwm2OtNs/s628/202209120735593559.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="378" data-original-width="628" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv6n--nLt_VOAA2thlvBj_jLZcGHWCEo11Uf0Px7hgGuQxVjqFv1Cu9LjiWrHxMM7zFmXNFhY7lOeo8nl1ulqY7tkZ3UXTgUQojDJvW1T89hyhdSBTCb-ebloLJ3DQF_f_sjqhgAE3CjciO84QBLjyKKbWr_LH7qiIoXwrzjHt7mW2VrFYcPcGwm2OtNs/s320/202209120735593559.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Scene from <i>Nezouh</i></td></tr></tbody></table><br /><i>Nezouh</i> adeptly explores the toll of war on interpersonal relationships, skillfully juxtaposing mundane conflicts with the extraordinary backdrop of conflict. Through its delicate storytelling and engrossing narrative, the film delves into the resilience, desperation, and hope that coexist amidst adversity.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="325" src="https://www.youtube.com/embed/T4KqWSQMhEo" width="391" youtube-src-id="T4KqWSQMhEo"></iframe></div><div><div style="text-align: center;"><i>Nezouh</i> Trailer (YouTube)</div><br /><br /><i>Nezouh</i> made its highly anticipated world premiere at the prestigious Orizzonti Extra competition of the 79th edition of the Venice International Film Festival. The film captivated audiences at Venice's Sala Giardino, leaving a lasting impression. In attendance were acclaimed actress Kinda Alloush, talented actor Samer Al Masri, and the talented director Soudade Kaadan. The reception was overwhelmingly positive, with viewers applauding the film's compelling narrative and remarkable performances. To add to its accolades, the film received the coveted Audience Award, solidifying its status as a standout Arab movie of the festival.</div><h4 style="text-align: left;"><u>Director Biography - Soudade Kaadan</u></h4><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF3y5T_aCpViDI3YDGTxBnPRpCrgxtWAW8ctQz-1KH315QQeIuC4dkvt8_SSXo5FXkLvXltrrsOFK0s5domDZE6c0bKstCEAo9UxgD_Ln4pEUYQ8yWXGCmM9WcbkA3gczvFgbhjGG-Wmvu-hkSFv376FLJBQxZXiZcfsW6L-7aq1XgfB6Tjnr0LbYQr48/s570/1537518197083.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="570" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF3y5T_aCpViDI3YDGTxBnPRpCrgxtWAW8ctQz-1KH315QQeIuC4dkvt8_SSXo5FXkLvXltrrsOFK0s5domDZE6c0bKstCEAo9UxgD_Ln4pEUYQ8yWXGCmM9WcbkA3gczvFgbhjGG-Wmvu-hkSFv376FLJBQxZXiZcfsW6L-7aq1XgfB6Tjnr0LbYQr48/s320/1537518197083.jpg" width="320" /></a></div><div class="separator" style="clear: both;"><div style="text-align: center;"><span style="font-size: x-small;">Photo by Julien Chavaillaz - © FIFF/Julien Chavaillaz</span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: center;"><br /></div></div><div>Soudade Kaadan is a Syrian director, born in France in 1979, based in London. She studied theater criticism in the Higher Institute of Dramatic Arts in Syria and filmmaking at Saint Joseph University (IESAV) Lebanon. Her first feature fiction film <i>The Day I Lost my Shadow</i> was awarded the Lion of The Future for best debut at the 2018 Venice Film Festival, and the jury prize for directing at the LA Film Festival, and screened at various festivals including TIFF, BFI London, Busan and IFFR. Her short film <i>Aziza</i> won the Sundance Grand Jury Prize in 2019.</div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0Stanford, CA, USA37.424105999999988 -122.1660756-15.283024134460256 167.5214244 90 -51.8535756tag:blogger.com,1999:blog-6905758823896102397.post-12751185299889021542023-06-24T00:32:00.003-07:002023-07-03T09:50:00.907-07:00Unveiling "Q": A Journey of Faith and Family by Lebanese Director Jude Chehab<h1 style="text-align: center;"><span style="font-size: medium;">"Q" - Unveiling the Layers of Faith, Family, and Identity</span></h1><h1 style="text-align: center;"><span style="font-size: small;">Film Review by Dr. Ramzi Salti, Stanford University</span></h1><div><span style="font-size: small;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQHXWg44F9pX5d6RgVL_sQX3lBVDBp8tIuL5JxuIlnJbzBLw8QJhjnIJ6G5gDJ1_clSyByTgxXmKERFQpZVHPKJ2uAh72bRXlB-IY6PNMTGvSF6xb3viFPfDQCmzvj9bjzJPSBRe9MPPKGaBVUQjxw61xj5DticktWqVF1AQRk0LZ9FgRqVFnTG2hK6c/s715/Screenshot%202023-06-24%20002117.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="346" data-original-width="715" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQHXWg44F9pX5d6RgVL_sQX3lBVDBp8tIuL5JxuIlnJbzBLw8QJhjnIJ6G5gDJ1_clSyByTgxXmKERFQpZVHPKJ2uAh72bRXlB-IY6PNMTGvSF6xb3viFPfDQCmzvj9bjzJPSBRe9MPPKGaBVUQjxw61xj5DticktWqVF1AQRk0LZ9FgRqVFnTG2hK6c/w383-h186/Screenshot%202023-06-24%20002117.jpg" width="383" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span face=""Work Sans", Helvetica, Arial, sans-serif" style="letter-spacing: -0.208px; text-align: start;">© </span>Jude Chehab, 2023</span></td></tr></tbody></table></div><br /><i>Q </i>is a mesmerizing and thought-provoking film directed by Jude Chehab that takes viewers on a captivating journey into the depths of faith, family, and personal discovery. Set in Lebanon, this compelling narrative centers around Jude's exploration of her mother Hiba's unwavering devotion to an all-female religious order known as "Q."<br /><br />The film beautifully captures the essence of a close-knit American family, now reunited in Lebanon. Jude seizes the opportunity to delve into her mother's spiritual world, aiming to unravel the enigmatic hold that "Q" has on Hiba's heart and mind. With curiosity and determination, Jude seeks a profound understanding of her mother's deep-seated commitment.<br /><br />Within the order, Hiba leads a life filled with teaching the Quran to her students and engaging in poetry readings alongside her fellow devotees. The meticulous writings of Anisa, the order's leader, dictate every aspect of their lives, demanding unwavering devotion and adherence to rigorous prayer rituals. However, this unyielding commitment begins to disrupt the delicate balance of their family.<br /><br />Jude's quest becomes a catalyst for emotional upheaval as she confronts the boundaries of faith, personal identity, and the intricate dynamics of familial relationships. The film masterfully weaves together the complexities and nuances of this unique religious order, painting a rich and immersive portrait of their rituals, beliefs, and the profound impact they have on those involved.<div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnw6EKRgple9hoFOluI2qPj3_yCSBYFAIakKtOoZFjSXFoC2x7zgdgLrJnL1mdLEjg6OwpnNpwJ_mHRSuQBI1ojiL5zNbOY8Uz5G73SXSTJPrSFSttyu6rdInRFpY9vN3OARM0nCtV1UExvNhHgU3qAmVs1jBBykIfOMe_2gxqzRFW45pjRW0kXPfcrDk/s413/Screenshot%202023-06-24%20001804.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="288" data-original-width="413" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnw6EKRgple9hoFOluI2qPj3_yCSBYFAIakKtOoZFjSXFoC2x7zgdgLrJnL1mdLEjg6OwpnNpwJ_mHRSuQBI1ojiL5zNbOY8Uz5G73SXSTJPrSFSttyu6rdInRFpY9vN3OARM0nCtV1UExvNhHgU3qAmVs1jBBykIfOMe_2gxqzRFW45pjRW0kXPfcrDk/s320/Screenshot%202023-06-24%20001804.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span face=""Work Sans", Helvetica, Arial, sans-serif" style="letter-spacing: -0.208px; text-align: start;">©</span>Director Jude Chehab: info@judechehab.com</span></td></tr></tbody></table><br /><div>Through Jude's lens as a filmmaker, the audience gains a privileged glimpse into the intimate struggles and triumphs experienced by both Hiba and the larger family. The visual aesthetics of the film are striking, capturing the contrasting landscapes of Lebanon, from serene spiritual settings to the tumultuous emotional landscapes within the family.<br /><br />The film's cinematography and sound design further enhance the storytelling, creating an immersive experience for the audience. The evocative soundtrack beautifully complements the visuals, enhancing the emotional impact of each scene.<br /><br />"Q" is a deeply introspective and intellectually stimulating film that challenges viewers to question the nature of devotion, the boundaries of personal identity, and the power of familial bonds. Director Jude Chehab masterfully crafts a narrative that invites reflection and provokes conversations about spirituality, individuality, and the delicate balance between tradition and personal growth.<br /><br />"Q" is a remarkable cinematic achievement, offering a captivating exploration of faith and its profound influence on our lives. It is a film that lingers in the mind and heart long after the credits roll, leaving audiences with a renewed appreciation for the complexities of human connection and the eternal quest for personal understanding.<div><br /></div><div>Below are 2 videos in which Director Jude Chehab discusses her monumental work. For more info, see <a href="https://www.qthedocumentary.com/" target="_blank">this link</a>.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="355" src="https://www.youtube.com/embed/_9tLZwuIdUQ" width="428" youtube-src-id="_9tLZwuIdUQ"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="366" src="https://www.youtube.com/embed/NNOcZgVX3to" width="440" youtube-src-id="NNOcZgVX3to"></iframe></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0Stanford, CA, USA37.424105999999988 -122.16607569.1138721638211422 -157.3223256 65.734339836178833 -87.0098256tag:blogger.com,1999:blog-6905758823896102397.post-16843858063274837832023-06-17T12:02:00.007-07:002023-12-22T09:57:08.152-08:00Video Talk and Book Review of Shahd Alshammari’s "Head Above Water: Reflections on Illness"<h1 style="text-align: center;"><span style="font-size: large;">Video from Book Talk with Shahd Alshammari</span></h1><h3 style="text-align: center;">Stanford's Ramzi Salti in conversation with the author of <i>Head Above Water</i> </h3><h1 style="text-align: center;"><span style="font-size: large;"><div style="font-size: medium; font-weight: 400; text-align: left;"><br /></div><div class="separator" style="clear: both; font-size: medium; font-weight: 400;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPvw_xHp3Zuhvniaj00LjKmunBEpv5Y2BWpY0nlDn8NW7bRzIxZF9KPMTApvNpxron5ivIsBRJzqrxCePACECq5MF6KmL9_YNZsb_EplBDU-vUZ5fef5t3Qwzc9v2Vtc9SmTreAc2IKb4FpgmVOUivyJLMrR_X6KHJ9Tm1a_WHZIApAY2OwtTtxLJ_wg/s2951/Desktop.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1658" data-original-width="2951" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPvw_xHp3Zuhvniaj00LjKmunBEpv5Y2BWpY0nlDn8NW7bRzIxZF9KPMTApvNpxron5ivIsBRJzqrxCePACECq5MF6KmL9_YNZsb_EplBDU-vUZ5fef5t3Qwzc9v2Vtc9SmTreAc2IKb4FpgmVOUivyJLMrR_X6KHJ9Tm1a_WHZIApAY2OwtTtxLJ_wg/w440-h247/Desktop.jpg" width="440" /></a></div><div class="separator" style="clear: both; font-size: medium; font-weight: 400;"><br /></div><br style="font-size: medium; font-weight: 400; text-align: left;" /><div style="font-size: medium; font-weight: 400; text-align: left;">This video features highlights from Dr. Ramzi Salti's conversation with Dr. <span class="xv78j7m" spellcheck="false">Shahd Alshammari</span> commemorating the US release of her new book 'Head Above Water'--an intimate memoir of her life of triumph and resistance, as a woman marked "ill" by society and as a lifelong reader, student, and teacher. CLICK CC for transcript and subtitles. Go to <a href="https://youtu.be/crG89FJ3J8I">https://youtu.be/crG89FJ3J8I</a></div><div class="separator" style="clear: both; font-size: medium; font-weight: 400;"><br /></div><div class="separator" style="clear: both; font-size: medium; font-weight: 400;"><iframe allowfullscreen="" class="BLOG_video_class" height="399" src="https://www.youtube.com/embed/crG89FJ3J8I" width="480" youtube-src-id="crG89FJ3J8I"></iframe></div><h1 style="text-align: left;"><span style="font-size: medium; font-weight: 400;"><i>Scroll down for Ramzi Salti's review of the book.</i></span></h1><div style="font-size: medium; font-weight: 400; text-align: left;">Dr. Shahd Alshammari is a Kuwaiti-Palestinian author and academic. She is the author of the books <i>Notes on the Flesh</i> and <i>Head Above Water</i>, as well as numerous other academic publications and papers. Her areas of research include illness narratives, disability studies, and questions of identity and language in the Arab world.</div><div style="font-size: medium; font-weight: 400; text-align: left;"><br />Shahd Alshammari is just eighteen when she is diagnosed with multiple sclerosis and told by her neurologist that she will not make it past age thirty. Despite what she is told, by thirty she has managed to navigate education systems in both Kuwait and the United Kingdom, and inspire generations of students as a professor of literature.</div><div style="font-size: medium; font-weight: 400; text-align: left;"><br /><i>Head above Water</i> is the intimate memoir of Shahd Alshammari's life of triumph and resistance, as a woman marked "ill" by society and as a lifelong reader, student, and teacher.</div><div style="font-size: medium; font-weight: 400; text-align: left;"><span style="font-family: inherit;"><br /></span></div><div style="font-size: medium; font-weight: 400; text-align: left;"><br /></div><div class="separator" style="clear: both; font-size: medium; font-weight: 400;"><i style="font-size: x-large;">Head Above Water</i><span style="font-size: x-large;"> by Shahd Alshammari</span></div></span></h1><h3 style="text-align: center;"><span style="font-size: small;">A Book Review by Dr. Ramzi Salti, Stanford University</span></h3><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0RpySrsaTK9qCFdhRqDbhioMdtO_HrjbEFBWo9dMUEM27w074qNCUuqRoF88gtBNP4enDWReKKGUPCv-ln3dltD-8fWbTf8PvwLLfQh88I__NORKj1EedSXxX2pN8SDvcQahE1ja6N4uMoiOR922P-4kuX76Ti_7ZAvzQJ9AbSjogRtNd99hQR3u/s1000/shahd.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="651" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0RpySrsaTK9qCFdhRqDbhioMdtO_HrjbEFBWo9dMUEM27w074qNCUuqRoF88gtBNP4enDWReKKGUPCv-ln3dltD-8fWbTf8PvwLLfQh88I__NORKj1EedSXxX2pN8SDvcQahE1ja6N4uMoiOR922P-4kuX76Ti_7ZAvzQJ9AbSjogRtNd99hQR3u/w298-h458/shahd.jpg" width="298" /></a></div><br /><div><br /></div>In <i>Head Above Water</i>, Shahd Alshammari shares her deeply personal and thought-provoking journey of triumph and resilience, offering readers an intimate glimpse into her life as a woman marginalized by society and fueled by her passion for literature. This philosophical memoir delves into themes of disability, displacement, and the quest for belonging, encompassing not only physical challenges but also cultural, gender, and racial dynamics. Throughout the book, Alshammari imparts profound wisdom that resonates on a philosophical level.<div><br />What sets this memoir apart is the remarkable fact that it is based on the author's diagnosis of multiple sclerosis at the tender age of eighteen when her neurologist grimly informs her that she would not live past thirty. However, defying all odds and expectations, she not only surpasses that milestone but also becomes a professor of literature. Her journey takes her through navigating educational systems in both Kuwait and the United Kingdom, leaving an indelible impact on generations of students.</div><div><br /></div><div><i>Head Above Water</i> is a poignant and unique memoir that captures the essence of Alshammari's indomitable spirit. It serves as an inspiration for readers, shedding light on the power of determination and the resilience of the human spirit. Alshammari's exploration of disability, displacement, and the search for belonging resonates deeply, inviting readers to reflect on their own experiences and engage in meaningful introspection. With her insightful prose and astute observations, Alshammari crafts a compelling narrative that leaves a lasting impact.</div><div><br /></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtFZYqKu0opORw1gWC-i6I2_9GeKx6aDm2KQs4985wz6tB2n7HdCLwiL4m9i-A9mkLoqrPulgHE39_MG6SQT8l9swo9LDSOEcSAGqwcWrpUylcbA2lBST_4rw8JYLYLA8NCus-6nK4Cf7hFE6YXmm5qmYkOxY1uDDEF-CshfEstkiPg0VPFWWkTk8r/s718/Screenshot%202023-06-17%20113316.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="507" data-original-width="718" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtFZYqKu0opORw1gWC-i6I2_9GeKx6aDm2KQs4985wz6tB2n7HdCLwiL4m9i-A9mkLoqrPulgHE39_MG6SQT8l9swo9LDSOEcSAGqwcWrpUylcbA2lBST_4rw8JYLYLA8NCus-6nK4Cf7hFE6YXmm5qmYkOxY1uDDEF-CshfEstkiPg0VPFWWkTk8r/s320/Screenshot%202023-06-17%20113316.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Shad Alshammari, author of <i>Head Above Water<br /><br /></i></td></tr></tbody></table></div><div>As a Kuwaiti-Palestinian author and academic, Shahd Alshammari brings a wealth of knowledge and expertise to her writing. Besides <i>Head Above Water</i>, she has also authored <i>Notes on the Flesh</i> and contributed to numerous academic publications and papers. Her research interests span illness narratives, disability studies, and exploring the complexities of identity and language in the Arab world.</div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHFoDd9auH4DvP0wzcDETXMo3zHi7mBLfSgp5CQmdkQoYs1xaC_ghVLfYfF-3Uxrz_JgdVa8wU4AQlmJQ4ZtzyiZOxKIa1Mp24ISp4txUzjrJq9_Di1Y5WLtOZtubtkTYctSYvwNvwOKehXYL93aH0Miou88uW3A3vV5GaDM6ydxljZJccFaoi1KS/s536/Screenshot%202023-06-17%20115300.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="294" data-original-width="536" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHFoDd9auH4DvP0wzcDETXMo3zHi7mBLfSgp5CQmdkQoYs1xaC_ghVLfYfF-3Uxrz_JgdVa8wU4AQlmJQ4ZtzyiZOxKIa1Mp24ISp4txUzjrJq9_Di1Y5WLtOZtubtkTYctSYvwNvwOKehXYL93aH0Miou88uW3A3vV5GaDM6ydxljZJccFaoi1KS/s320/Screenshot%202023-06-17%20115300.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><i>Head Above Water</i> is published by The Feminist Press at CUNY and will be officially released on July 18, 2023. You can pre-order your copy on Amazon and almost anywhere books are sold.<br /><br />LATEST NEWS:<div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaZZfQV8GTLvnXUw12o_vrV9lQdY_2aRvCOtTict3AF6hA6IhHhKFRaKfs4PWf8AvQpH5SLUD7V0s0CxKBuYJ3Wv3oy19rbnf6jeU5CRLsHL-7zx90H-HWrbSJlZz5Nl_P777axz__XFpxIqwRbozlGIXaRcdv0Te0K7EI-4R1peZhoaK08uPQQ5_xoaQ/s794/shahd%20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="794" data-original-width="628" height="449" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaZZfQV8GTLvnXUw12o_vrV9lQdY_2aRvCOtTict3AF6hA6IhHhKFRaKfs4PWf8AvQpH5SLUD7V0s0CxKBuYJ3Wv3oy19rbnf6jeU5CRLsHL-7zx90H-HWrbSJlZz5Nl_P777axz__XFpxIqwRbozlGIXaRcdv0Te0K7EI-4R1peZhoaK08uPQQ5_xoaQ/w355-h449/shahd%20.jpg" width="355" /></a></div><br /><div>Everyone is invited to join us for this event. </div><div><br /></div><div>A Book Talk with Author Shahd Alshammari moderated by Dr. Ramzi Salti.<br />Tuesday, July 18, 2023<br />Virtual Event<br />9am PST, 5pm London, 7pm Kuwait/Jordan<br /><br />Read more about this event at <a href="https://islamicstudies.stanford.edu/events/head-above-water-us-book-launch">this link</a>. Supported by Stanford's Abbasi Program.<div><div><br /></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-41538262292718323072023-06-15T10:39:00.002-07:002023-06-15T11:01:58.790-07:00Tamer Nafar Releases New Single "Ameen" with Yacoub Alatrash<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjPDK4M1PVruZC19NwqXng-7NA-IiBmsjLCv6NxRip_iGWmx1YHDHhN18VIXUlKRZOR_JDA9kngdRpOT7Rf_v4BIIp8Ob8KKeFNyzfHk9mwKGadlS-LTPS-vGwJtPSV2auSKtDgRqYtBupcgJoL6FbFsULAhTRytIPhY-Acx2JxkRXbtNVARCDqE6A/s1280/ameen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjPDK4M1PVruZC19NwqXng-7NA-IiBmsjLCv6NxRip_iGWmx1YHDHhN18VIXUlKRZOR_JDA9kngdRpOT7Rf_v4BIIp8Ob8KKeFNyzfHk9mwKGadlS-LTPS-vGwJtPSV2auSKtDgRqYtBupcgJoL6FbFsULAhTRytIPhY-Acx2JxkRXbtNVARCDqE6A/s320/ameen.jpg" width="320" /></a></div><br />Indie musician and DAM band member Tamer Nafar has just released a new track called "Ameen آمين" along with music composer/producer Yacoub Alatrash. The single, released with a colorful lyric video on YouTube, is as catchy as it is innovative.<br /><br />Watch the music video below or at <a href="https://youtu.be/cX5dxUgRpUc">this link</a>.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="352" src="https://www.youtube.com/embed/cX5dxUgRpUc" width="423" youtube-src-id="cX5dxUgRpUc"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;">Here are the lyrics (in Arabic) to go along with the above video clip:</div><p dir="rtl" style="clear: both; text-align: center;"><span style="font-size: medium;"><span face="Roboto, Arial, sans-serif" style="background-color: white; color: #0f0f0f; white-space-collapse: preserve;">عقبال ما اضلني عارف احوالك <br /></span>والدمعة ما تذوب ابتسامتك<br /> عقبال ما تضلي في بالي شغالة<br /> وعمرك ما تقدمي استقالة<br />ما نحكم على بعض على شوية غلط<br /> شو معنى الحب بلا زعل بلا نكد<br /> نتحدى الروتين ع مدار السنين<br />نكبر ونصير عدد<br />عقبال ما نبقى<br /> كيف ما احنا<br /> دايماً هيك حلوين<br /> آمين وآمين وآمين<br /> ايامنا تصير سنين<br />آمين وآمين وآمين<br /> يلا عليهم آمين<br /> ونضل نبتسم متل الصور<br />وتنوري ليلي كالقمر<br /> نزرع شجر يثمر دولار<br /> ونضل نقطف طول العمر<br />ونضل نبتسم متل الصور<br />وتنوري ليلي كالقمر<br /> نزرع شجر يثمر دولار<br /> ونضل نقطف طول العمر<br />ما بحكي على ليلة<br />بحكي على عيلة<br /> ما بحكي على ليلة<br />بحكي على عيلة<br /> ام كلتوم طول عمرها تخاف م الحب ،<br /> ومن سيرة الحب انا ما اخاف الحب<br />ولا اخاف الجرح، الجروح فتحات اللي منها النور يصب. وخلي النور يصب<br /> عقبال ما نبقى<br /> كيف ما احنا<br /></span></p><div style="text-align: center;"><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-4317573474114215892023-06-11T16:03:00.004-07:002023-10-01T21:00:46.255-07:00Goodbye Julia: Landmark Sudanese Film Explores Redemption and Division<h1 style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxKqBisCIEk_Pa7-zD_ffOzq0jcYMMeKPJ-wBlD9XpRtHNo4pUDjy9pVLCrbscaRskVtmH7TGAiobR6B47E5wJiuciyRdnF2EdzrH6J-sTcYDV4iFbLG9HLuXoyFydYhCsORmQehRmtMNG_M0kB-5z8OzpI6IGUmvXIkQSKUqT8JPUYEtuXk47m3ad/s1600/goodbye_julia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1011" data-original-width="1600" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxKqBisCIEk_Pa7-zD_ffOzq0jcYMMeKPJ-wBlD9XpRtHNo4pUDjy9pVLCrbscaRskVtmH7TGAiobR6B47E5wJiuciyRdnF2EdzrH6J-sTcYDV4iFbLG9HLuXoyFydYhCsORmQehRmtMNG_M0kB-5z8OzpI6IGUmvXIkQSKUqT8JPUYEtuXk47m3ad/w400-h253/goodbye_julia.jpg" width="400" /></a></h1><h1 style="text-align: center;"><span style="font-size: medium;">Goodbye Julia - A Sudanese Tale of Redemption</span></h1><h3 style="text-align: center;"><span style="font-size: small;">Film review by Dr. Ramzi Salti, Stanford University</span></h3><div style="text-align: center;"><br /></div><i>Goodbye Julia</i>, directed by Mohamed Kordofani, marks a significant milestone as the first Sudanese film to be showcased as an official selection at the prestigious Cannes Film Festival 2023. This captivating cinematic achievement weaves a thought-provoking narrative against the backdrop of Sudan's turbulent years leading up to the secession of South Sudan in 2011.<br /><br />Drawing from his own memories, Kordofani opens the film with a poignant scene on his balcony, setting the stage for the emotionally charged story that follows. At the heart of the film is Mona (played by Eiman Yousif), an upper-class Arab Muslim woman grappling with guilt over causing the death of a South Sudanese Christian man. Seeking redemption, Mona hires Julia (Siran Riak), the oblivious wife of the deceased, as her maid.<br /><br /><i>Goodbye Julia</i> delves into the complex ethnic, tribal, and religious divisions that have fractured Sudan throughout its history. Kordofani skillfully explores the racism and power dynamics that perpetuate the marginalization of ethnic groups, shedding light on the underlying tensions within Sudanese society. Through Mona's evolving friendship with Julia, she confronts her own complicity in the systemic discrimination faced by South Sudanese communities.<br /><br />The film's inclusion in the official selection at Cannes underscores its artistic and storytelling merits. Kordofani's direction exhibits a remarkable ability to capture the nuances of Sudanese society while delivering a universal narrative of redemption and self-reflection. <i>Goodbye Julia</i> challenges viewers to contemplate identity, privilege, and the transformative power of empathy in bridging divisions.<br /><br />The performances in the film are exceptional, with Eiman Yousif delivering a nuanced portrayal of Mona's internal turmoil , a performance that is more than matched by Siran Riak's portrayal of Julia. The supporting cast members bring authenticity to the complex dynamics between different ethnic and religious groups, adding depth to the story's exploration of interethnic relations.<div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxv9qN08-C5oT97mHdfg7hVbqAiOfTgVs2Qf7NTY1BaNUX9cvs0GSzOuPfhsN_k49kFaiGiuby4e7-rJKDPrI7ZgiqEGfmQvVqRpJiIqPENZVoviurFzHtRoCdhA_7Rjovo9898uFGXDQHjg9EtR8fAlGsnvnR1YoTney-3beFH3ueykXo78NvZyKG/s745/mohamed_kordofani.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="745" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxv9qN08-C5oT97mHdfg7hVbqAiOfTgVs2Qf7NTY1BaNUX9cvs0GSzOuPfhsN_k49kFaiGiuby4e7-rJKDPrI7ZgiqEGfmQvVqRpJiIqPENZVoviurFzHtRoCdhA_7Rjovo9898uFGXDQHjg9EtR8fAlGsnvnR1YoTney-3beFH3ueykXo78NvZyKG/s320/mohamed_kordofani.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Film Director Mohamed Kordofani</td></tr></tbody></table><br /><div>Visually, <i>Goodbye Julia</i> is a treat for the eyes, with Kordofani's directorial choices showcasing Sudan's natural beauty and contrasting it with the harsh realities of societal divisions. The cinematography adds emotional depth to the narrative, creating a visually stunning and resonant cinematic experience.<br /><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="411" src="https://www.youtube.com/embed/IR4IZpR6PnQ" width="494" youtube-src-id="IR4IZpR6PnQ"></iframe></div><div class="separator" style="clear: both; text-align: center;">Trailer for <i>Goodbye Julia</i> (2023)</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;"><u>Summary: </u><i>Goodbye Julia</i>, directed by Mohamed Kordofani, is a landmark Sudanese film that explores themes of redemption and division. Its distinction as the first Sudanese film to be showcased as a Cannes official selection is a testament to its artistic merit and cultural significance. Kordofani's skilled direction, combined with exceptional performances, makes this thought-provoking cinematic achievement a standout in Sudanese and international cinema. <i>Goodbye Julia</i> not only sheds light on Sudan's troubled history but also serves as a universal exploration of forgiveness, empathy, and the power of storytelling to bridge divides.</div></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" dir="rtl" style="clear: both; text-align: right;"><br /></div><div class="separator" dir="rtl" style="clear: both; text-align: right;"><div class="Ar Au Ao" id=":15a"><div aria-controls=":1rv" aria-label="Message Body" aria-multiline="true" aria-owns=":1rv" class="Am Al editable LW-avf tS-tW tS-tY" g_editable="true" hidefocus="true" id=":15e" itacorner="6,7:1,1,0,0" role="textbox" spellcheck="false" style="min-height: 376px;" tabindex="1"><div>بقلم الدكتور رمزي سلطي، جامعة ستانفورد<br /><br />وداعاً جوليا، من إخراج محمد كردفاني، يمثل نقطة تحول هامة كأول فيلم سوداني يتم عرضه كاختيار رسمي في مهرجان كان السينمائي لعام 2023. هذا الإنجاز السينمائي المثير يُسلط الضوء على سرد يلفت الانتباه ضد خلفية الأعوام العصيبة التي أدت إلى انفصال جنوب السودان في عام 2011.<br /><br />من خلال الاستفادة من ذكرياته الشخصية، يبدأ كردفاني الفيلم بمشهد مؤثر على شرفته، مما يمهد الطريق للقصة المشحونة عاطفيًا التي تتبع. في قلب الفيلم تقع مونا (من تأدية إيمان يوسف)، امرأة عربية مسلمة من الطبقة العليى تكافح الذنب بسبب تسببها في وفاة رجل مسيحي من جنوب السودان. بحثًا عن الانقاذ، تستأجر مونا جوليا (سيران رياك)، زوجة الراحل الغافلة، كخادمة لها.<br /><br />فيلم "وداعاً جوليا" يستكشف الانقسامات العرقية والقبلية والدينية المعقدة التي شهدتها السودان على مر التاريخ. يستكشف كردفاني بمهارة العنصرية وديناميات السلطة التي تواصل التهميش الذي يواجهه الجماعات العرقية، مسلطًا الضوء على التوترات الكامنة داخل المجتمع السوداني. من خلال صداقة مونا المتطورة مع جوليا، تواجه هي نفسها وتدرك تورُّطها في التمييز النظامي الذي تواجهه جماعات جنوب السودان.<br /><br />اندراج الفيلم في الاختيار الرسمي في مهرجان كان يؤكد ميزاته الفنية والسردية. إخراج كردفاني يظهر قدرته الرائعة على التقاط تفاصيل مجتمع السودان بمهارة مع تقديم سرد عالمي عن الانقاذ والتأمل في الذات. "وداعاً جوليا" يتحدى المشاهدين للتفكير في مفهوم الهوية والامتياز وقوة التعاطف في تجاوز الانقسامات.<br /><br />الأداء في الفيلم استثنائي، حيث يقدم إيمان يوسف تجسيدًا دقيقًا للتناقضات الداخلية في مونا، أداء يُطابق بسهولة أداء سيران رياك لجوليا. يضيف أعضاء الفريق المساعد واقعيةً لديناميات العلاقات بين مجموعات عرقية ودينية مختلفة، مما يزيد من عمق استكشاف القصة للعلاقات بين الأعراق.<br /><br />من الناحية البصرية، "وداعاً جوليا" هو لذة للعيون، حيث تبرز اختيارات كردفاني الإخراجية جمال السودان الطبيعي وتقارنه بواقعيات الانقسامات الاجتماعية. تضيف تصوير السينما عمقًا عاطفيًا للسرد، مما يخلق تجربة سينمائية بصرية رائعة ومؤثرة.<br /><br />ملخص: "وداعاً جوليا"، من إخراج محمد كردفاني، هو فيلم سوداني رائد يستكشف مواضيع الانقاذ والانقسام. اختياره كأول فيلم سوداني يُعرض في اختيار رسمي بمهرجان كان يشهد على جدارته الفنية والثقافية. إخراج كردفاني الماهر، بالإضافة إلى الأداء الاستثنائي، يجعل هذا الإنجاز السينمائي الذي يثير التفكير بارً</div></div></div></div><div class="separator" dir="rtl" style="clear: both; text-align: right;"><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-72154281834238357852023-06-08T20:44:00.010-07:002023-06-08T23:33:51.363-07:00New El Morabba3 Song 'Biban' Explores Fragmented Identities <div style="text-align: center;"><span style="font-size: x-large;"><b>Biban (Doors) is the latest track by El Morabba3 </b></span></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjTAD7t5CeJ3iX3JKHEgUFiVaoFWUF-b7oxlZH8qIzZKeCVo1G8lk4fWfSNTqHVrBfS2BsKdOQISAsLpsmnO99I_tvo0czEDtmq9mREOlwvek7Wux7blKhKlM21Be1cEUG1OpTxrb0_hk37LqnZUm_J7QZYYUQLz-TstiwWvGGxrCSwIWKhzRh6vLa/s2048/El%20Morabab3%20Black%20_%20White%202.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1364" data-original-width="2048" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjTAD7t5CeJ3iX3JKHEgUFiVaoFWUF-b7oxlZH8qIzZKeCVo1G8lk4fWfSNTqHVrBfS2BsKdOQISAsLpsmnO99I_tvo0czEDtmq9mREOlwvek7Wux7blKhKlM21Be1cEUG1OpTxrb0_hk37LqnZUm_J7QZYYUQLz-TstiwWvGGxrCSwIWKhzRh6vLa/w577-h384/El%20Morabab3%20Black%20_%20White%202.png" width="577" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>El Morabba3's Mohammad Abdallah (right) with Idreesi (left)</i></td></tr></tbody></table><br /> Renowned Jordanian/Palestinian indie band El Morabba3 has once again captivated long-time fans and new enthusiasts with a new single titled "Biban" (Doors). Released in May 2023, the song follows the band's successful return in February, after a seven-year hiatus, with the track "El Wuhoosh" (Monsters) (reviewed <a href="https://www.arabology.org/2023/02/elmorabba3.html" target="_blank">here</a>).<br /><br />The words of the latest song (provided below) were collaboratively written by Mohammad Abdallah and the talented young Jordanian artist Idreesi, while Basel Naouri was responsible for the sound design and production. "Biban" draws inspiration from Bedouin language and the melodic patterns of traditional Khaliji music, capturing the elusive nature of personal growth, which proves challenging to capture and define.<div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS9NW16raVykR_CiUc438AJ-o_gWrBrSsqh_Mw_aV0N8vyAaswYjL3zQKRJeYvvrQZrlJ64ylKkz7d5o8LT1icZWcXQjh_XAMBChrKKMx3E-7Q-1Hhs92X2GU8WboyWG9z_D1TR_BDrEgjBfqAyuFgKAZRip8sV_L2shoB_yGtYExPz5kGXTIz6YVH/s5236/El%20Morabba3,%20Picture%20by%20@oomerak.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3081" data-original-width="5236" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS9NW16raVykR_CiUc438AJ-o_gWrBrSsqh_Mw_aV0N8vyAaswYjL3zQKRJeYvvrQZrlJ64ylKkz7d5o8LT1icZWcXQjh_XAMBChrKKMx3E-7Q-1Hhs92X2GU8WboyWG9z_D1TR_BDrEgjBfqAyuFgKAZRip8sV_L2shoB_yGtYExPz5kGXTIz6YVH/w392-h230/El%20Morabba3,%20Picture%20by%20@oomerak.jpg" width="392" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: start;"><i>Mohammad Abdallah and Idreesi </i></span>©<i style="text-align: start;">oomerak</i></td></tr></tbody></table><div><p>Enhancing Abdallah's poetic vocals influenced by Bedouin culture, Naouri's grooves, which blend polyrhythms and samples, cascade through the vast expanse of the listener's ear, reminiscent of the Rub' al Khali الربع الخالي. These rhythms gallop with a Trap beat, leaving traces of El Morabba3's familiar melodies in their ethereal aftermath. The cathartic finale, in particular, recalls the tribal beats on <i>Taraf al-Khait</i>, an older work by the band that gained much critical acclaim.</p>The May 26 release of the “Biban” single was accompanied by a mesmerizing visualizer, produced by renowned Lebanese creative entertainment studio Balkoon and starring acclaimed performer Paula Saba. Watch the music video below or at <a href="https://youtu.be/vt4eVIR6Fk8" target="_blank">this link</a>.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="357" src="https://www.youtube.com/embed/vt4eVIR6Fk8" width="429" youtube-src-id="vt4eVIR6Fk8"></iframe></div><br /><div>Here are the Arabic lyrics to the song:</div><div><span style="font-size: large;"><br /></span></div><div style="text-align: center;"><span style="font-size: large;">،تركني بارود، ربع خالي قلب حامي مشحون</span></div><div style="text-align: center;"><span style="font-size: large;">،وحداني بعقر داري مسحوب</span></div><div style="text-align: center;"><span style="font-size: large;">.دبرني بالمطلوب</span></div><div style="text-align: center;"><span style="font-size: large;">.يا ويلي لادوخ و انا بحالي مية حالة و دكتور</span></div><div style="text-align: center;"><span style="font-size: large;">شلون اداري اثنيني، شلون اداري شلون؟</span></div><div style="text-align: center;"><span style="font-size: large;">منو الي يهذرب و منو الي مفتون؟</span></div><div style="text-align: center;"><span style="font-size: large;">طنّت وذني عالي بالفلكلور</span></div><div style="text-align: center;"><span style="font-size: large;">و قلبي للمعارك هش و فسفور</span></div><div style="text-align: center;"><span style="font-size: large;">،لا كاني ماني، سمّي هاري</span></div><div style="text-align: center;"><span style="font-size: large;">.سلّلوني</span></div><div style="text-align: center;"><span style="font-size: large;">قلبي تاه، ظلَّلو، تظلَّله البيبان</span></div><div style="text-align: center;"><span style="font-size: large;">كل ما البيبان يبان شقّها نفوت</span></div><div style="text-align: center;"><span style="font-size: large;">واضرب بالمثال وان شد أشوط</span></div><div style="text-align: center;"><span style="font-size: large;">بالناس ما اي لالالالا</span></div><div style="text-align: center;"><span style="font-size: large;">ذوّبوني</span></div><div style="text-align: center;"><span style="font-size: large;">قلبي تاه ظللوه تظلله البيبان</span></div><div style="text-align: center;"><span style="font-size: large;">مافي صوت، طرشنا السكوت</span></div><div style="text-align: center;"><span style="font-size: large;">ويا مرحبابا بالفلكلور</span></div><div style="text-align: center;"><span style="font-size: large;">شارح الصدر و مهلّي باللي يهلَّ بالنور</span></div><div style="text-align: center;"><span style="font-size: large;">و ان عقلي شارد قلبي شاهد حين يذق على بابك، منك لباب السموات</span></div><div style="text-align: center;"><span style="font-size: large;">كل ما البيبان يبان شقَّها نفوت</span></div><div style="text-align: center;"><span style="font-size: large;">واضرب بالمثال و ان شد أشوط</span></div><div style="text-align: center;"><span style="font-size: large;">بالناس ما لي</span></div><div style="text-align: center;"><span style="font-size: large;">.و لّا انا المضارب، و بداري الصوت فوق الي ضايل</span></div><div style="text-align: center;"><span style="font-size: large;">.هاي نساني و راح، قطع لساني ان شفت نوم لاني سالب كلي شوق</span></div><div style="text-align: center;"><span style="font-size: large;">ماريدك تروح على روحي</span></div><div style="text-align: center;"><span style="font-size: large;">.و المنى يسواك، قلبه مو صادق</span></div><div style="text-align: center;"><span style="font-size: large;">.قال لي صعب و ضليت طوق انا حولك نجم سهيل في قلبي</span></div><div><div><div><br /></div><div>For more information about El Morabba3 (in English or Arabic), please contact Mohamed Aser: <a href="mailto:aser@altorient.com">aser@altorient.com</a></div></div></div></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-47239458153666768022023-06-06T22:58:00.008-07:002023-08-29T00:16:02.422-07:00Challenging Patriarchal Norms: A Film Review of 'Inshallah A Boy'<h2 style="text-align: center;">Empowering Resilience: <i>Inshallah A Boy</i></h2><h3 style="text-align: center;">A film review by Dr. Ramzi Salti, Stanford University</h3><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkNj276ONcusLXXHUTC5hlkHh-7t-hS7WDrjD6dqZYt_EhgNMDq0N6Y4lYQxPBNWnplaR9mEVqKcEOpRc3pp9LVyOEePAeFLDLNDVEQMPnKFWGZ4TnW0qxfc3vnjbd46QYv3gfAV2q63r237I2ya7Dpr3T0l11YjnxZ42EDBW6bxp6Hfaece9D2OGR/s653/MAIN_Inchalla-a-Boy_767503_512633.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="653" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkNj276ONcusLXXHUTC5hlkHh-7t-hS7WDrjD6dqZYt_EhgNMDq0N6Y4lYQxPBNWnplaR9mEVqKcEOpRc3pp9LVyOEePAeFLDLNDVEQMPnKFWGZ4TnW0qxfc3vnjbd46QYv3gfAV2q63r237I2ya7Dpr3T0l11YjnxZ42EDBW6bxp6Hfaece9D2OGR/w406-h203/MAIN_Inchalla-a-Boy_767503_512633.jpeg" width="406" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><br /></div><div>In the first-ever Jordanian film to be showcased at Cannes, <i>Inshallah A Boy</i> إن شاء الله ولد director Amjad Al Rasheed explores the struggles of a widow as she confronts oppressive patriarchal laws. According to certain Jordanian laws, if a woman does not have a son, her husband's family is entitled to a portion of the inheritance. This premise sets the stage for Nawal (played by Mouna Hawa), who, recently widowed, finds herself entangled in a legal battle with her brother-in-law, Rifqi (portrayed by Haitham Omari). Her primary goal is to retain the only home she and her daughter have known.</div><br />In her fight against the system, Nawal resorts to deceit by fabricating a pregnancy, a ploy aimed at postponing the court proceedings for nine months in the hopes of potentially bearing a male heir. Inspired by the real-life experiences of a close relative of the director, <i>Inshallah A Boy</i> delivers a poignant and socially conscious critique of the structural oppression faced by some women and girls in Jordan. With a social realist approach, the film sheds light on the challenges they encounter within the framework of the country's legal and cultural norms.<div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga46yYf1zcVPGjZaKrjW7hiT2f7gMP4dYeCmznoMr8j3fvSPDTWO_7lGCNsmte3htSxi889HbffTnGKV5u5dMBjkqm8gd5Xp74CftOt5I8ckhRu5X8Yz9me-jkL_lnIhg79n-2Vv4Ida4s8YP266ldfgJkztJmenYxWu2fwsmZyUCCI4V7w81j_PQg/s671/Screenshot%202023-06-06%20192442.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="397" data-original-width="671" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga46yYf1zcVPGjZaKrjW7hiT2f7gMP4dYeCmznoMr8j3fvSPDTWO_7lGCNsmte3htSxi889HbffTnGKV5u5dMBjkqm8gd5Xp74CftOt5I8ckhRu5X8Yz9me-jkL_lnIhg79n-2Vv4Ida4s8YP266ldfgJkztJmenYxWu2fwsmZyUCCI4V7w81j_PQg/w385-h227/Screenshot%202023-06-06%20192442.jpg" width="385" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Amjad Al-Rasheed, Director of <i>Inshallah A Boy </i> (AFP)</span></td></tr></tbody></table><br /><div>The success of this film is primarily due to its Director Amjad Al Rasheed, a filmmaker known for his compelling storytelling and dedication to shedding light on social issues. His storytelling approach combines realism and emotional depth, allowing audiences to connect with the characters and the social issues they face. Al Rasheed's films often tackle themes of gender inequality, women's rights, and cultural oppression, highlighting the struggles faced by individuals within these contexts.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="387" src="https://www.youtube.com/embed/9rd6J1C1i-M" width="466" youtube-src-id="9rd6J1C1i-M"></iframe></div><div style="text-align: center;"><span style="font-size: x-small;">Short clip from <i>Inshallah A Boy</i></span></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><br />Here is my interview with Amjad Al Rasheed, Director of this film, recorded in Amman in July 2023:</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="379" src="https://www.youtube.com/embed/wX_SQzWRlws" width="456" youtube-src-id="wX_SQzWRlws"></iframe></div><br /><div><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-75913423063379811032023-06-03T19:40:00.008-07:002023-06-06T23:07:32.960-07:00Daughters of Abdul Rahman: Film Screening at Stanford ft Discussion with Director (June 28, 2023)<p> </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjKkg4EqE92FA7uIviWO1MCNQW553ja5XDe9uUVQEUyjLurZr8XFPK21NqnHCe6CUTzUMb0GTGEnYV0WU0vN86jhf8QrQH-sOapuYD1vueCcJwTKRDyq2sxRgcsImfTRoLkr-uURoDqB7EMAofg0kzbGTWIgpwMDxCsWDz_hIIKmcWQkFeh-5rATwp/s967/2023%20Summer%20Film%20Festival%20Flier.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="967" data-original-width="959" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjKkg4EqE92FA7uIviWO1MCNQW553ja5XDe9uUVQEUyjLurZr8XFPK21NqnHCe6CUTzUMb0GTGEnYV0WU0vN86jhf8QrQH-sOapuYD1vueCcJwTKRDyq2sxRgcsImfTRoLkr-uURoDqB7EMAofg0kzbGTWIgpwMDxCsWDz_hIIKmcWQkFeh-5rATwp/w396-h400/2023%20Summer%20Film%20Festival%20Flier.png" width="396" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Click <a href="https://islamicstudies.stanford.edu/events/sgs-summer-film-festival-daughters-abdul-rahman" target="_blank">here</a> for details and to RSVP</i></td></tr></tbody></table><br /><p></p><p>You are formally invited to a free film screening of the award winning Jordanian film <i>Daughters of Abdul Rahman</i> at Stanford on June 28 at 5pm--followed by an in-person discussion with the Director Zaid Abu Hamdan, moderated by Stanford Lecturer Dr. Ramzi Salti.</p><p>With thanks to the Abbasi Program in Islamic Studies and Stanford Global Studies Division</p><p>Please RSVP through the "Registration Link" on this site:<br /><a href="https://islamicstudies.stanford.edu/events/sgs-summer-film-festival-daughters-abdul-rahman">https://islamicstudies.stanford.edu/events/sgs-summer-film-festival-daughters-abdul-rahman</a></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="367" src="https://www.youtube.com/embed/qm77k3yI0vk" width="441" youtube-src-id="qm77k3yI0vk"></iframe></div><div style="text-align: center;"><i>Film trailer for Daughters of Abdul Rahman. RSVP <a href="https://tinyurl.com/3nfdcm6d" target="_blank">here</a>.</i></div><p><br /></p>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-68734627305582258962023-06-03T03:03:00.006-07:002023-06-28T01:57:47.664-07:00"Hanging Gardens" Film Explores Themes of War and Madness<h1 style="clear: both; text-align: center;"><span style="font-size: large;">Fragile Realities: Children, War, and Madness in </span><i style="font-size: large;">Hanging Gardens</i></h1><h3 style="text-align: center;"><span style="font-size: small;">A film review by Dr. Ramzi Salti (Stanford University)</span></h3><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBu2UMjfmTNi2JVfN9hNW_qxPUD0UiXq35JMaZ-qahsXKfKK8WskCOx933PIoUFXtP9DRpIzQyJj7qCsTYCHQVBO8w9-T5rhcpV2XpkcHCohWsFwNSA_552NYbL-pFuG-1vzd0xgsavlxTe8xjk8xiPgciLkVgYyxGbr-_qRHv_INaqA0S0f6zRk4/s762/hanging_gardens.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="402" data-original-width="762" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBu2UMjfmTNi2JVfN9hNW_qxPUD0UiXq35JMaZ-qahsXKfKK8WskCOx933PIoUFXtP9DRpIzQyJj7qCsTYCHQVBO8w9-T5rhcpV2XpkcHCohWsFwNSA_552NYbL-pFuG-1vzd0xgsavlxTe8xjk8xiPgciLkVgYyxGbr-_qRHv_INaqA0S0f6zRk4/w458-h242/hanging_gardens.jpg" width="458" /></a></div><br /><i>Hanging Gardens</i> [Arabic title <i>Janain mualaqa</i> جنائن معلقة] is a is a 2022 comedy-drama film co-written and directed by Ahmed Yassin Al Daradji. It is an Iraqi-Palestinian-Saudi Arabian-Egyptian-British co-production that has received much attention at Cannes 2023 after winning the Best Film Award at the Red Sea Film Festival (a film festival launched in 2019 and held in Jeddah, Saudi Arabia).<br /><br />This film takes viewers on a gripping journey as a young Iraqi rubbish picker stumbles upon an unexpected "treasure" amidst the Baghdad dumps—an American sex doll. What initially seems like a whimsical discovery quickly propels him into a perilous red zone, where friendships are shattered, allegiances become uncertain, and the line between love, war, and madness blurs. In this explosive mix of emotions, director Ahmed Yassin Al Daradji crafts a compelling narrative that explores the complexities of life in a war-torn landscape.<br /><br />Al Daradji's adept handling of the material is evident throughout the film. His vision and storytelling expertise allow the comedy and drama elements to coexist harmoniously, creating a rich and engaging viewing experience. Al Daradji's direction brings out the nuanced performances of the talented cast--none of whom are professional actors--allowing their chemistry to shine on screen.<br /><br />It is important to note that <i>Hanging Gardens</i> contains disturbing scenes that may not be suitable for general audiences. The film unflinchingly confronts the harsh realities of war, delving into the depths of human suffering and the psychological toll it takes on individuals. Al Daradji does not shy away from portraying the darker aspects of the human condition, creating moments that are deeply unsettling and challenging to watch.<br /><br />However, it is precisely these unsettling moments that lend weight and authenticity to the film's narrative. Through its depiction of disturbing scenes, Hanging Gardens seeks to provoke introspection and highlight the profound impact of war on the lives of ordinary people. It is a cinematic experience that demands emotional investment and a willingness to confront uncomfortable truths.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="360" src="https://www.youtube.com/embed/hMGvJf1kGr0" width="433" youtube-src-id="hMGvJf1kGr0"></iframe></div><div style="text-align: center;"><span style="font-size: x-small;">Trailer: <i>Hanging Gardens</i> (Venice Film Festival)</span></div><div><br /></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-77276865526698032962023-05-24T11:55:00.014-07:002023-06-12T03:06:27.196-07:00Tunisian Film "Four Daughters" (Banat Olfa) Is a Hit at Cannes 2023<h2 style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjrbCKt8yHyVKZo2zCH-vnox7yhoJAk1sf8baAA3BvqWYrc59c7TvrTqEy9QLCXelx7g8sB3ZNX9NiuFsvmtWPju7lR68xDXpogbRi2GYRUO3wVZa8g58rrn3dTGq4zGkl4XtkA-PXvvEKVDICNSQl_RRE2ovum3Azqz4mPy_ewtSmWYQuAkVpTmBW/s800/img_20230413_160314_800_x_450_pixel.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjrbCKt8yHyVKZo2zCH-vnox7yhoJAk1sf8baAA3BvqWYrc59c7TvrTqEy9QLCXelx7g8sB3ZNX9NiuFsvmtWPju7lR68xDXpogbRi2GYRUO3wVZa8g58rrn3dTGq4zGkl4XtkA-PXvvEKVDICNSQl_RRE2ovum3Azqz4mPy_ewtSmWYQuAkVpTmBW/w400-h225/img_20230413_160314_800_x_450_pixel.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table></h2><h2 style="text-align: center;"><span style="font-size: medium;"><i>Banat Olfa</i>: A Captivating Journey of Empowerment and Resilience</span></h2><h3 style="text-align: center;"><span style="font-size: small;">A film review by Dr. Ramzi Salti, Stanford University</span></h3><div><div><br /></div><div>Cinema has long served as a powerful medium to shed light on societal issues and ignite conversations about marginalized communities. <i>Four Daughters</i> (Arabic title is <i>Banat Olfa</i>) is an extraordinary film that emerges as a poignant exploration of the lives of Tunisian women, revealing their struggles, aspirations, and unwavering resilience. Directed by Kaouther Ben Hania, this thought-provoking work of art invites viewers to delve into the complexities of female experiences in contemporary Tunisia. Through its engaging narrative and masterful storytelling, the film offers a compelling depiction of women's empowerment and their quest for freedom.<br /><br />Set against the backdrop of present-day Tunisia, <i>Banat Olfa</i> follows the journey of Olfa, a young woman from a modest background who finds herself entangled in the webs of human trafficking. The film introduces viewers to Olfa's life, beginning with her dreams of a better future and her subsequent exploitation by human traffickers. The narrative portrays the resilience and determination of Olfa and her fellow captives, as they navigate through the harsh realities of their circumstances.</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJAYSMj1A3YaiejQCZ1aKjgEhqWM05Yfok1I6lVtfRvuF6YuZwGVEFgoiKJeDoJEnKN7hQdkx7wIVMj1rEM9lHoH6q4zr47TfyuDP-RIf5thgCqNilICWWpFE5z1M8fJRam0IuS2dqpcR-gBCmjCNWwUVjR3hIPXMzkA6Qyg23yDK194CC3LbWwWY2/s534/Screenshot%202023-06-12%20025621.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="364" data-original-width="534" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJAYSMj1A3YaiejQCZ1aKjgEhqWM05Yfok1I6lVtfRvuF6YuZwGVEFgoiKJeDoJEnKN7hQdkx7wIVMj1rEM9lHoH6q4zr47TfyuDP-RIf5thgCqNilICWWpFE5z1M8fJRam0IuS2dqpcR-gBCmjCNWwUVjR3hIPXMzkA6Qyg23yDK194CC3LbWwWY2/w400-h272/Screenshot%202023-06-12%20025621.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Hend Sabry (who plays Olfa) at the Cannes Film Festival, 2023</td></tr></tbody></table><br /><div><i>Banat Olfa</i> features an exceptional cast that brings depth and authenticity to the film's characters. The lead role of Olfa is brilliantly portrayed by Tunisian actress Hend Sabry, whose captivating performance captures the complexities of the character's journey. Sabry's portrayal showcases her talent for portraying both vulnerability and resilience, immersing the audience in Olfa's plight and empowering quest for freedom.</div><div><br />The film also includes a talented ensemble cast, including renowned Tunisian actress and director Fadila Belkebla, who delivers a compelling performance as one of the captives alongside Olfa. Belkebla's portrayal adds depth to the narrative, depicting the interconnected experiences of these women as they navigate their harrowing circumstances.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="388" src="https://www.youtube.com/embed/xsgV23lao7g" width="469" youtube-src-id="xsgV23lao7g"></iframe></div><div class="separator" style="clear: both; text-align: center;"><span>Director Kaouther Ben Hania talks about <i>Banat Olfa</i></span></div><br /><div class="separator" style="clear: both; text-align: left;"><i>Banat Olfa</i> centralizes the theme of women's empowerment, highlighting the indomitable spirit of women in the face of adversity. The film explores how Olfa and her companions strive to reclaim their autonomy, challenging the societal norms and expectations that attempt to confine them. Through their strength and resourcefulness, they inspire audiences to reflect upon the agency and power inherent in every woman.</div><div><br />Kaouther Ben Hania, the director of <i>Banat Olfa</i>, is a Tunisian filmmaker known for her thought-provoking and socially conscious works. Born in Sidi Bouzid, Tunisia, Ben Hania developed a passion for storytelling from a young age. She studied cinema in Tunisia and later pursued her Master's degree in film directing at La Fémis, one of France's most prestigious film schools.<br /><br />Prior to <i>Banat Olfa</i>, Ben Hania gained international acclaim for her 2017 film <i>Beauty and the Dogs</i>, which premiered at the Cannes Film Festival. The film tackled the subject of sexual violence and the obstacles faced by survivors seeking justice in Tunisia. <i>Beauty and the Dogs</i> showcased Ben Hania's ability to engage audiences through compelling storytelling and meticulous attention to detail.<br /><br /><i>The Man Who Sold His Skin</i> is another remarkable film directed by Kaouther Ben Hania. Released in 2020, it garnered widespread critical acclaim and received significant recognition at international film festivals, including a nomination for Best International Feature Film at the 93rd Academy Awards.<br /></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-35190991382870755092023-05-23T02:06:00.003-07:002023-05-28T13:57:10.869-07:00New Book about Jawdat Haydar by Ibtissam Kahale <h2 style="text-align: center;"><span style="font-size: small;"><i>Inspirations from Jawdat R Haydar</i>: A Poetic Journey into Timeless Themes</span></h2><h3 style="text-align: center;"><span style="font-size: small;">A book review by Dr. Ramzi Salti, Stanford University</span></h3><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8KUBezoiBz-qL_iHxlM9soxR_R2cblVknVRpf-5sLVVd1JZduWr-LcbS98DmJUn7Hq5hBJdI0dNGsOg5JbnID_sLJvrafs3-7ZZA1R8b3366_C2rWTVxbh0FvStqEjTOm-HnAQG6AhmjpV-OB9n9CGFkXfumYN8ZFQmZdX9d87r3PzLFe3B5O7YIm/s1580/fa7256fc-fb94-4ec7-99da-10eee4aad3bf.jpg"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8KUBezoiBz-qL_iHxlM9soxR_R2cblVknVRpf-5sLVVd1JZduWr-LcbS98DmJUn7Hq5hBJdI0dNGsOg5JbnID_sLJvrafs3-7ZZA1R8b3366_C2rWTVxbh0FvStqEjTOm-HnAQG6AhmjpV-OB9n9CGFkXfumYN8ZFQmZdX9d87r3PzLFe3B5O7YIm/w342-h509/fa7256fc-fb94-4ec7-99da-10eee4aad3bf.jpg" /></a></div><br /><h4 style="text-align: left;">Introduction: </h4><div>Ibtissam T. Kahale, a renowned professor of English Literature and a talented writer herself, has just released her latest book titled <i>Inspirations from Jawdat Haydar</i>. This exceptional collection pays homage to the esteemed poet Jawdat Haydar and explores the profound impact of his works on literature, society, and human consciousness. With this book, Kahale aims to introduce readers to the visionary world of Jawdat Haydar's poetry, unraveling universal themes and inviting contemplation on life, love, humanity, and the mysteries that surround us.</div><div><br /><h4 style="text-align: left;">The Eminent Poet: </h4></div><div>Kahale begins her introduction by recounting her personal encounter with Jawdat Haydar at a tribute event held at UNESCO. She vividly describes the sight of the ninety-year-old poet, radiating elegance and piety as he recited his verses with an overwhelming voice. Haydar's poems, she explains, possess a captivating charm that mirrors his own being. Inspired by the profound influence of his poetry, Kahale decided to share this pleasure and advantage with others through her book, allowing readers to embark on a journey through time, fantasy, and the profound themes that Haydar passionately explores.</div><div><br /></div><div><h4 style="text-align: left;">Themes Explored: </h4></div><div><i>Inspirations from Jawdat Haydar </i>(2023) is divided into two parts. The first part presents selected quotes from Haydar's poems in alphabetical order, showcasing his masterful employment of various rhymes, rhythms, and distinct themes. The second part is organized into six sections, each devoted to a specific major theme. Kahale delves into Haydar's reflections on Poetry, Sociology, Leadership and Power, Civil War, Environment, and Fate and Destiny. The book concludes with an exploration of the Mystery of Life, encapsulating the poet's enigmatic and thought-provoking perspectives.</div><div><br /><h4 style="text-align: left;">Jawdat Haydar's Relevance in Education: </h4></div><div>As a former professor herself, Kahale passionately argues for the inclusion of Jawdat Haydar's poems in school and university curricula. She highlights the significance of Haydar's philosophical analysis of the universe, his emphasis on humanitarianism and equality among all people, his unwavering love and support for Lebanon, and his ability to bridge the gap between East and West. Kahale Zaatari believes that studying Haydar's work will enable students to explore life and society from different perspectives, fostering critical thinking, empathy, and a deeper understanding of the human experience.</div><div><br /><h4 style="text-align: left;">Encouraging the Search for Truth: </h4></div><div>In her closing remarks, Kahale expresses her deep enthusiasm for inspiring readers to seek truth and meaning in life and society through the lens of Jawdat Haydar's poems. She believes that Haydar's carefully chosen quotes, presented in her book, serve as inspirations accumulated over a lifetime, challenging the world with their profound themes. By engaging with Haydar's work, readers are encouraged to contemplate the complexities of existence, the interconnectedness of humanity, and the transformative power of poetry.<br /><br />In conclusion, <i>Inspirations from Jawdat Haydar</i> by Ibtissam T. Kahale is a captivating exploration of the eminent poet's timeless themes. Through the selected quotes and thoughtful analysis, readers are invited to embark on a journey of self-discovery, intellectual enlightenment, and a deeper understanding of the world we inhabit. This book serves as a tribute to Jawdat Haydar's immense contribution to literature and his unwavering pursuit of truth, love, and social justice through the power of poetry.</div><div><br /></div><div><b><i>To order your copy of the book, please contact Ibtissam Kahale at <a href="mailto:ibtissamkz@gmail.com">ibtissamkz@gmail.com</a></i></b></div><div><b><br /></b></div>Below are photos from the book signing event which took place on Tuesday May 16, 2023<div><br /><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: left;"><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRn_Dkerjj-ryWcWLxWNVyED2dPx8ZNyqcOgtDzVPwAWpbVfO7rrHXxUqKSxXPMxbogviYWO1Fhh-zTC8yOwQaazUEkUcOShOXUEQ9qnhFYth2aJ6LUjYPT8v9irgysMiWRmVo_lOCYdt4ZH7e6p7mZj0R2QfqfojJaABNSkzyW1emSZ89RdE74mOh/s1280/0337b79a-41d8-41b8-a585-fb0b4cf56258.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="989" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRn_Dkerjj-ryWcWLxWNVyED2dPx8ZNyqcOgtDzVPwAWpbVfO7rrHXxUqKSxXPMxbogviYWO1Fhh-zTC8yOwQaazUEkUcOShOXUEQ9qnhFYth2aJ6LUjYPT8v9irgysMiWRmVo_lOCYdt4ZH7e6p7mZj0R2QfqfojJaABNSkzyW1emSZ89RdE74mOh/w246-h319/0337b79a-41d8-41b8-a585-fb0b4cf56258.jpg" width="246" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5srigFJkU5rJCvvlrEgOGLLGsQ0cSFjvVpVvj1ZMfQLKyAmMjbgTzJCwBqlIP9r67ABo6JjL4iUZzB6SnLK6j_QMdwre0-NWpU1tqpCllb_iTZgtINdRXBQH3kc7GsBF-sJvHtNpDvReBWsviSgUvF3KElMrriKZfMwuMU5F834-Y_5Q61naxUGqo/s1024/e927892b-cdb6-46bb-8163-f7b46803c2d9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1024" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5srigFJkU5rJCvvlrEgOGLLGsQ0cSFjvVpVvj1ZMfQLKyAmMjbgTzJCwBqlIP9r67ABo6JjL4iUZzB6SnLK6j_QMdwre0-NWpU1tqpCllb_iTZgtINdRXBQH3kc7GsBF-sJvHtNpDvReBWsviSgUvF3KElMrriKZfMwuMU5F834-Y_5Q61naxUGqo/s320/e927892b-cdb6-46bb-8163-f7b46803c2d9.jpg" width="240" /></a></div><br /></div></div><div style="text-align: left;"><br />Here is an article, written in Arabic by Moses Ghabries, detailing the splendor of the event which attracted a full house:</div><div dir="rtl" style="text-align: right;"><br /><span style="font-size: medium;">احتفاء بتوقيع كتاب (مختارات من شعر جودت حيدر) للكاتبة ابتسام كحالة، أقامت كلية الاداب والعلوم الانسانية، الفرع الخامس احتفالا بهذه المناسبة وتكريما للشاعر الراحل ..وقد حضر الاحتفال عميدة كلية الاداب والعلوم الانسانية البروفسورة هبة شندب ومديرة كلية الاداب الفرع الخامس البروفسورة مهى المصري ومديرو الفروع الجامعية وممثلة الاساتذة في مجلس الجامعة الدكتورة داليا خريباني ورؤساء الاقسام الاكاديمية واساتذة الكلية والطلاب الكرام..بالاضافة الى ممثل سعادة النائب بهية الحريري الدكتور اسامة ارناؤوط وممثل سعادة النائب أسامة سعد الاستاذ أحمد البني بالاضافة الى كريمة الشاعر الراحل السيدة شاهينة حيدر عسيران ..<br />استهل الاحتفال بالنشيد الوطني اللبناني ثم تحدثت البروفسورة مهى المصري مؤكدة على دور الشاعر الراحل في تعزيز الهوية الوطنية والعربية وتميزه في كتابة الشعر باللغتين العربية والانكليزية ..ثم تم عرض فيديو وثائقي يحاكي سيرة الشاعر ..بعدذلك ، القى الطلاب منيرة الحجار ورامي عيد وشيرين منصور قصائد للشاعر جودت حيدر نالت اعجاب الحضور ..اما كلمة الختام فكانت لعميدة الكلية البروفسورة هبة شندب التي أثنت على مثل هذه النشاطات الثقافية في الكلية معربة عن شكرها لمديرة الفرع وللاساتذة والطلاب على جهودهم ..ثم تناولت مسيرة الشاعر جودت حيدر الشعرية منوهة بعطاءاته الادبية وموجهة عبارات الامتنان لكريمته السيدة شاهينة حيدر ..واختتم الاحتفال بتوقيع الكتاب .قدم للاحتفال الدكتور عباس زناتي ...</span></div><div dir="rtl" style="text-align: right;"><span style="font-size: medium;"><br /></span></div><div style="text-align: left;"><b><i>To order your copy of the book, please contact Ibtissam Kahale at <a href="mailto:ibtissamkz@gmail.com">ibtissamkz@gmail.com</a></i></b><span style="font-size: medium;"><br /><br /><br /></span><br /><br /></div></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0tag:blogger.com,1999:blog-6905758823896102397.post-1256103675599692472023-05-21T00:07:00.012-07:002023-06-02T23:35:56.516-07:00Mayssa Karaa Releases Arabic Version of "My Favorite Things"<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2LR4a-DEiSZcTre0N-QHFvsCQebr9CmmhyF2pj_VzKcxyjaLnJa7B1si73naXUnYkUF0jCCL0pssX921hZGl-Q1wZmjfRZeTteOodhDxUAAqKjAxR-BoCra7lOpkvQMWeRYKDXAmqbEjgpFUama__GqwxY739m3pkn820N6Cxs-hmgeaZcbNmNwrQ/s3089/348220002_612573504236567_7941776173564649937_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1356" data-original-width="3089" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2LR4a-DEiSZcTre0N-QHFvsCQebr9CmmhyF2pj_VzKcxyjaLnJa7B1si73naXUnYkUF0jCCL0pssX921hZGl-Q1wZmjfRZeTteOodhDxUAAqKjAxR-BoCra7lOpkvQMWeRYKDXAmqbEjgpFUama__GqwxY739m3pkn820N6Cxs-hmgeaZcbNmNwrQ/w466-h204/348220002_612573504236567_7941776173564649937_n.jpg" width="466" /></a></div><br />Lebanese American singer Maysaa Karaa has just released an uplifting Arabic version of the song "My Favorite Things" from <i>The Sound of Music</i>, complete with lush orchestration and a gorgeous video clip which includes the lyrics in both English and Arabic.<div><br /></div><div>You can watch the video clip below or at <a href="https://youtu.be/3aFQEpyUj4c" target="_blank">this link</a>. </div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="363" src="https://www.youtube.com/embed/3aFQEpyUj4c" width="436" youtube-src-id="3aFQEpyUj4c"></iframe></div><br /><div>The track, titled "El Adar Byekhtar/ القدر بيختار" [literal translation is "Destiny Chooses"], offers a distinctly Arabic feel without losing the sense of optimism and glee that characterizes the original English version. Such musical perfection is largely due to famed Jordanian musician/violinist Yarub Smarait who mixed, arranged and produced the track in a way that highlights Mayssa's vocal acrobatics and style. The Arabic lyrics by Ahmad Abdul Nabi, Mayssa Karaa, and Najwa Karaa are quite original and, thankfully, do not attempt to simply translate the original lyrics but rather readapt them to new audiences. Adding to the splendor of it all are Haleem Al Khatib on the Qanun, Laith Sulaiman on the Nay, Joseph Demerjian on guitar, Ali Fanni on drums, Awwad Awwad (percussion) and Youssef Musharbash (keys).</div><div><br />This is not the first time that Mayssa has captured world attention for releasing an Arabic rendition of a famous English song. Her version of "White Rabbit" in 2014 truly propelled her into the international spotlight and was featured in the trailer (and soundtrack) for the 2014 film <i>American Hustle,</i> directed by David O. Russell. Her haunting interpretation of the song captivated audiences and generated widespread acclaim for capturing the eerie and mysterious atmosphere of the film (read more <a href="https://www.arabology.org/2014/02/mayssa-karaa-records-arabic-version-of.html" target="_blank">here</a>).</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="372" src="https://www.youtube.com/embed/azFM1gyDbpk" width="448" youtube-src-id="azFM1gyDbpk"></iframe></div><span style="font-size: x-small;"><div style="text-align: center;"><i>Mayssa Karaa singing the Arabic version of White Rabbit in 2014</i></div></span><br /><div>Born in Beirut, Lebanon, Mayssa Karaa grew up surrounded by a rich tapestry of Middle Eastern and Western musical influences. She developed a deep appreciation for diverse genres and embarked on a journey to explore her own musical identity. Her versatile voice allowed her to experiment with different styles, blending elements of Middle Eastern music, rock, pop, and jazz.<br /><br />In 2012, Mayssa released her debut single, a cover of the legendary song "Ya Habibi Ta'ala" (My Love, Come to Me) by Asmahan. The track showcased her ability to infuse traditional Arabic melodies with modern arrangements.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="363" src="https://www.youtube.com/embed/um_zJHP9sgw" width="437" youtube-src-id="um_zJHP9sgw"></iframe></div><div style="text-align: center;"><i><span style="font-size: x-small;">'Ya habibi Taala' by Mayssa Karaa / يا حبيبي تعال - ميسا قرعه</span></i></div><a href="https://www.youtube.com/@MayssaKaraa"></a><br />Since then, Mayssa Karaa has continued to pursue her musical career, releasing original music and collaborating with various artists. Her discography includes singles like "Over Again," "The Chaos," and "Broken Lines." She has also performed live on numerous stages, captivating audiences with her powerful vocals and emotional performances.<div><br /></div><div>More info at <a href="https://www.mayssakaraa.com">https://www.mayssakaraa.com</a></div>Dr. Ramzi Saltihttp://www.blogger.com/profile/15425649212721227468noreply@blogger.com0450 Serra Mall, Stanford, CA 94305, USA37.4274745 -122.169719-16.864516432730426 167.517781 90 -51.857219